Imagining human rights in twenty-first-century theater : global perspectives / edited by Florian N. Becker, Paola S. Hernández, and Brenda Werth

Medverkande: Utgivning: New York : Palgrave Macmillan, 2013Beskrivning: xiii, 284 sISBN:
  • 978-1-137-02709-2
Ämne: DDK-klassifikation:
  • 306.484 23
SAB-klassifikation:
  • Ik
Innehåll:
Foreword / J.Lane -- Introduction: Imagining Human Rights in Twenty-First Century Theatre / F.N.Becker, B.Werth & P.Hernandez -- PART I: TRANSITIONAL JUSTICE AND CIVIL SOCIETY. Dead Body Politics: Grupo Cultural Yuyachkani at Peru's Truth Commission / A.Lambright -- Where 'God is Like a Longing': Theatre and Social Vulnerability in Mozambique / L.Madureira -- The ESMA: From Torture Chambers into New Sites of Memory / P.Hernandez -- Surpassing Metaphors of Violence in Postdictatorial Southern Cone Theatre / B.Werth -- PART II: THE 'WAR ON TERROR' AND THE GLOBAL ECONOMIC ORDER. Place and Misplaced Rights in Guantanamo: Honor Bound to Defend Freedom / L.Mantoan -- Challenging the 'fetish of the verbatim': New Aesthetics and Familiar Abuses in Christine Evans's Slow Falling Bird / C.Wilson -- Stages of Transit: Rascon Banda's Hotel Juarez and Sarah Misemer Peveroni's Berlin / S.Misemer -- Migrant Melodrama, Human Rights, and Elvira Arellano / A.Puga -- PART III: TRANSNATIONAL PUBLICS. 'Get up, Stand up, Stand up for your Rights': Transnational Belonging and Rights of Citizenship in Dominican Theatre / C.Stevens -- Theatres of Vigil and Vigilance: A Playwright's Notes on Theatre and Human Rights in the Philippines / J.Barrios -- 'The Spectacle of Our Suffering': Staging the International Human Rights Imaginary in Tony Kushner's Homebody/Kabul / E.Anker -- Broadway Without Borders: Eve Ensler, Lynn Nottage, and the Campaign to End Violence against Women in the Democratic Republic of Congo / K.Bystrom.
Bestånd
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Innehåller index samt bibliografiska referenser (s.[249]-284)

Foreword / J.Lane -- Introduction: Imagining Human Rights in Twenty-First Century Theatre / F.N.Becker, B.Werth & P.Hernandez -- PART I: TRANSITIONAL JUSTICE AND CIVIL SOCIETY. Dead Body Politics: Grupo Cultural Yuyachkani at Peru's Truth Commission / A.Lambright -- Where 'God is Like a Longing': Theatre and Social Vulnerability in Mozambique / L.Madureira -- The ESMA: From Torture Chambers into New Sites of Memory / P.Hernandez -- Surpassing Metaphors of Violence in Postdictatorial Southern Cone Theatre / B.Werth -- PART II: THE 'WAR ON TERROR' AND THE GLOBAL ECONOMIC ORDER. Place and Misplaced Rights in Guantanamo: Honor Bound to Defend Freedom / L.Mantoan -- Challenging the 'fetish of the verbatim': New Aesthetics and Familiar Abuses in Christine Evans's Slow Falling Bird / C.Wilson -- Stages of Transit: Rascon Banda's Hotel Juarez and Sarah Misemer Peveroni's Berlin / S.Misemer -- Migrant Melodrama, Human Rights, and Elvira Arellano / A.Puga -- PART III: TRANSNATIONAL PUBLICS. 'Get up, Stand up, Stand up for your Rights': Transnational Belonging and Rights of Citizenship in Dominican Theatre / C.Stevens -- Theatres of Vigil and Vigilance: A Playwright's Notes on Theatre and Human Rights in the Philippines / J.Barrios -- 'The Spectacle of Our Suffering': Staging the International Human Rights Imaginary in Tony Kushner's Homebody/Kabul / E.Anker -- Broadway Without Borders: Eve Ensler, Lynn Nottage, and the Campaign to End Violence against Women in the Democratic Republic of Congo / K.Bystrom.

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