An Improved Digital Waveguide Model of Flute - Implementation Issue / Vesa Välimäki, Rami Hänninen, Karjalainen -- Physical Modeling of Aeroacoustic Sources in Flute-like Instruments / Marc-Pierre Verge -- The 3D Tetrahedral Digital Waveguide Mesh with Musical Applications / Scott Van Duyne, Julius Smith -- MusicWeb, New Communication and Information Technologies in the Music Classroom,/ Carola Böhm, Karst De Jong, Cristoph Hempel -- NetMuse: a Very-High-Performance Wide-Area Network for Music / Stephen Arnold -- Xspect: A New X/Motif Signal Visualization and Editing Program / Xavier Rodet, Dominique François, Guillaume Levy -- Graphical NeXTSTEP Objects as FTS Clients to Control Instruments in the new FTS Client/Server Architecture / Todor Todoroff, Caroline Traube -- Estimation of Parameters Corresponding to A Propagative Synthesis Model Through the Analysis of Real Sounds / Solvi Ystad, Philippe Guillemain, Richard Kronland-Martinet -- Evolution of Musical Organisms / Bruno Degazio -- Recent Developments of MidiShare / Dominique Fober, Stéphane Letz -- Visualization and Manipulation of 3D Digital Waveguide Structures for Sound Experimentation / David Rossiter, Andrew Horner -- Frankenstein: A Low-Cost Multip-DSP Computer Engine for the Music Kit / William Putnam, Timothy Stilson -- Discrete Summation Synthesis and Hybrid Sampling-Wavetable Synthesis of Acoustic Instruments with Genetic Algorithms / San-Kuen Chan, Jennifer Yuen, Andrew Horner -

- Acoustic Quanta / Douglas Nunn, Alan Purvis, Peter Manning -- Exemplar-based Learning in Adaptive Optical Music Recognition System / Ichiro Fujinaga -- Haptic Feedback in a Computer Music Performance Interface / Lonny Chu -- Learning Musical Structure and Style by Recognition, Prediction and Evolution / Dominik Hörnel, Thomas Ragg -- SEE - A Structured Event Editor: Visualizing Compositional Data in Common Music / Tobias Kunze, Heinrich Taube -- The Graphics Environment for Max / Mark Danks -- Towards A Framework for Handling Musical Expression / Daniel V. Oppenheim, James Wright -- A System for the Separation of Simultaneous Musical Audio Signals / Thomas Stainsby -- Musical Analysis using a Real-Time Model of Peripheral Hearing / Tim Brookes, Andy Tyrrell, David Howard -- A Dynamic Modelling Approach to Music Recognition / Simon Dixon - Demonstration: Using SynthBuilder for the Creation of Physical Models / Nick Porcaro, Pat Scandalis, David Jaffe, Julius Smith -- Non-linear Controller Mapping for Gestural Control of Gamaka / Stuart Favilla -- DSP Approach to Multichannel Audio Mixing / Ville Pulkki, Jyri Huopaniemi, Tommi Huotilainen, Matti Karjalainen -- Recent Developments with the TAO Physical Modelling System / Mark Pearson, David M. Howard -- Imroved Modelling of Attack Transients in Music Analysis-Resynthesis / Paul Masri, Andrew Bateman -- Automated Music, interdisciplinary aspects of a developmental history / Carola Böhm -- Real-Time Virtual Audio Reality / Larui Savioja, Jyri Huopaniemi, Tommi Huotilainen, Tapio Takala -- Perceptual Matching of Low Order Models to Room Transfer Functions / Eric M. Mrozek, Gregory H. Wakefield -- A New Electronic Genre: The CD-ROM / Kristine H. Burns -- A Look at Performer/Machine Interaction Using Real-Time Systems / Cort Lippe -- On the Use of Computer Systems in Contemporary Music / Barbara Becker, Gerhard Eckel -- Sound Database Retrieved by Sound / Shuji Hashimoto, Hai Qi, Dingding Chang -- Adaptive Pitch Compensation of Singing and Its Application / Yoshinari Sasahira, Shuji Hashimoto -- Durham Music Technology: Active Report / Takebumi Itagaki, Simon Johnson, Peter Manning, Douglas Nunn, Desmond Phillips, Alan Purvis, Jonathan Spanier -- Composer{u2019}s Underscoring Environment (CUE) / David Cope -- NetNeg: A Hybrid Interactive Architecture for Composing Polyphonic Music in Real Time / Claudia Goldman, Dan Gang, Jeffrey Rosenschein, Daniel Lehmann -- Extended Csound / Barry Vercoe -- NetSound: Realtime Audio from Semantic Descriptions / Michael Casey, Paris Smaragdis -- Csound GM: Designing Real-Time Instruments with Csound{u2019}s New MIDI Opcodes / Richard Boulanger, Scott Vercoe -- Automatic Jazz Accompaniment Computation: An Open Advice-Based Approach / Mira Balaban, Stanislav Irish -- IBM Computer Music Center - Studio Report / James Wright, Daniel Oppenheim -- Studio Report: The Bregman Electronic Music Studio at Darthmouth College and the MA Program in Electro-Acoustic Music / Jon Appleton, Charles Dodge, Polansky -- Leeds University Electronic Studio: Studio Report / Ewan Stefani, Kia Ng, David Cooper -- DIEM, The Danish Institute of Electroacoustic Music, Studio Report / Wayne Siegel -- Israel Computers and Music Forum - Activities Report / Shlomo Dubnov -- Computer Music in Shenzhen / P. R. China, Yu Ying -- Electroacoustic and Computer Music in Latin America / Ricardo Dal Farra -- A New Method for Interactive Sound Spatialisation / Iain Mott, Jim Sosnin -- An Environment for Interactive Art - Sensor Integration and Applications / Haruhiro Katayose, Tsutomu Kanamori, Inokuchi -- Appropriated Musical Instruments: A4 MIDI Tool Box and Carnatic Violin / Greg Schiemer, B. Krishnakumar -- A C++ Library for Computer Music Programming on Real-Time Mach / Andrew Choi -- The Evolution of the Graphic Editing Environment for the IRCAM Musical Workstation / Enzo Maggi, François Dechelle -- New DSP Applications on FTS / François Dechelle, Maurizio de Cecco, Enzo Maggi, Norbert Schnell -- Digital Notation Representation and Online Retrieval of Musical Information: A Discussion of Current Options and Practices / Elizabeth Hinkle-Turner -- Composing the Means With Which I Compose: Waveforms With Multiple Paths and Cycle-lengths / Arun Chandra -- Anitoo: Some Analysis Tools / Damián Keller -- Design and Implementation of a Multimedia Opera / James Oliverio, Jarrell Pair --

Musik- och teaterbiblioteket: Klassifikation, ämnesord och genre genererade från EMS hylluppställning