The collected essays of Milton Babbitt / Milton Babbitt ; edited by Stephen Peles with Stephen Dembski, Andrew Mead and Joseph N. Straus.

Av: Medverkande: Språk: Engelska Utgivning: Princeton, N.J. Princeton University Press, 2003Beskrivning: 517 s. musiknoterISBN:
  • 0691089663
Ämne: DDK-klassifikation:
  • 780 21
SAB-klassifikation:
  • Ij:dg
  • Ijb.5
  • Ijae
Innehåll:
The String Quartets of Bartok (1949) ; Review of Leibowitz, Schoenberg et son ecole (1950) ; Review of Le Systeme Dodecaphonique (1950) ; Review of Salzer, Structural Hearing (1952) ; Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartok) (1953) ; Musical America's Several Generations (1954) ; Some Aspects of Twelve-Tone Composition (1955) ; The Composer as Specialist (1958) ; Twelve-Tone Invariants as Compositional Determinants (1960) : The Revolution in Sound: Electronic Music (1960) ; Past and Present Concepts of the Nature and Limits of Music (1961) ; Set Structure as a Compositional Determinant (1961) ; Twelve-Tone Rhythmic Structure and the Electronic Medium (1962) ; Reply to George Perle's Babbitt, Lewin, and Schoenberg: A Critique (1963) ; Remarks on the Recent Stravinsky (1964) ; The Synthesis, Perception, and Specification of Musical Time (1964) ; An Introduction to the R.C.A. Synthesizer (1964) ; The Structure and Function of Musical Theory (1965) ; The Uses of Computers in Musicological Research (1965) ; Edgard Varese : A Few Observations of His Music (1966) ; Three Essays on Schoenberg (1968) ; On Relata I (1970) ; Contribution to The Composer in Academia : Reflections on a Theme of Stravinsky (1970) ; Memorial for Matyas Seiber (1970) ; Stravinsky Memorial (1971) ; Contemporary Musical Composition and Musical Theory as Contemporary Intellectual History (1972) ; Memorial for Stefan Wolpe (1972) ; Since Schoenberg (1974) ; Celebrative Speech for the Schoenberg Centennial (1976) ; Responses: A First Approximation (1976) ; Introduction to Marion Bauer, Twentieth Century Music (1978) ; Foreword to David Epstein, Beyond Orpheus (1979) ; Memorial for Ben Weber (1979) ; Memorial for Robert Miller (1981) ; The More than the Sounds of Music (1984) ; I Remember Roger (1985) ; All the Things They Are
Sammanfattning: This volume of almost 50 pieces gathers, corrects and annotates virtually everything of significance that Milton Babbitt has written. The result is a comprehensive, authoritative and accessible source of Babbitt's influential ideas
Bestånd
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The String Quartets of Bartok (1949) ; Review of Leibowitz, Schoenberg et son ecole (1950) ; Review of Le Systeme Dodecaphonique (1950) ; Review of Salzer, Structural Hearing (1952) ; Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartok) (1953) ; Musical America's Several Generations (1954) ; Some Aspects of Twelve-Tone Composition (1955) ; The Composer as Specialist (1958) ; Twelve-Tone Invariants as Compositional Determinants (1960) : The Revolution in Sound: Electronic Music (1960) ; Past and Present Concepts of the Nature and Limits of Music (1961) ; Set Structure as a Compositional Determinant (1961) ; Twelve-Tone Rhythmic Structure and the Electronic Medium (1962) ; Reply to George Perle's Babbitt, Lewin, and Schoenberg: A Critique (1963) ; Remarks on the Recent Stravinsky (1964) ; The Synthesis, Perception, and Specification of Musical Time (1964) ; An Introduction to the R.C.A. Synthesizer (1964) ; The Structure and Function of Musical Theory (1965) ; The Uses of Computers in Musicological Research (1965) ; Edgard Varese : A Few Observations of His Music (1966) ; Three Essays on Schoenberg (1968) ; On Relata I (1970) ; Contribution to The Composer in Academia : Reflections on a Theme of Stravinsky (1970) ; Memorial for Matyas Seiber (1970) ; Stravinsky Memorial (1971) ; Contemporary Musical Composition and Musical Theory as Contemporary Intellectual History (1972) ; Memorial for Stefan Wolpe (1972) ; Since Schoenberg (1974) ; Celebrative Speech for the Schoenberg Centennial (1976) ; Responses: A First Approximation (1976) ; Introduction to Marion Bauer, Twentieth Century Music (1978) ; Foreword to David Epstein, Beyond Orpheus (1979) ; Memorial for Ben Weber (1979) ; Memorial for Robert Miller (1981) ; The More than the Sounds of Music (1984) ; I Remember Roger (1985) ; All the Things They Are

This volume of almost 50 pieces gathers, corrects and annotates virtually everything of significance that Milton Babbitt has written. The result is a comprehensive, authoritative and accessible source of Babbitt's influential ideas

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