American popular music in Britain's Raj / Bradley G. Shope.

Av: Språk: Engelska Serie: Eastman studies in music ; 131Utgivning: Rochester : University of Rochester Press, 2016Beskrivning: x, 242 s. illISBN:
  • 9781580465489
Ämne: DDK-klassifikation:
  • 781.6409730954 23/swe
SAB-klassifikation:
  • Ijxp
Innehåll:
Entertainment globalization, 1850s to 1910s ; Technologies, exoticism, and entrepreneurs, 1920s and 1930s ; Calcutta in the war ; The Case of Lucknow ; Cabaret sequences in Hindi films
Sammanfattning: American popular music in Britain's Raj' is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space - including between the United States, England, and India - and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries
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Inehåller bibliografi, filmografi, diskografi och index

Entertainment globalization, 1850s to 1910s ; Technologies, exoticism, and entrepreneurs, 1920s and 1930s ; Calcutta in the war ; The Case of Lucknow ; Cabaret sequences in Hindi films

American popular music in Britain's Raj' is the first systematic study to address the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the middle 1800s and the middle 1900s, outlining the entertainment idioms and frameworks that supported their growth, and examining a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of music across time and space - including between the United States, England, and India - and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries

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