The producer as composer : shaping the sounds of popular music / Virgil Moorefield

Av: Utgivning: Cambridge, Mass. : MIT Press, cop. 2005Beskrivning: xix, 143 sISBN:
  • 0-262-13457-8
  • 978-0-262-51405-7 (pbk pr. 2010)
Ämne: DDK-klassifikation:
  • 781.49 23
  • 781.49 22
SAB-klassifikation:
  • Ijx
  • Ijb.55
  • Ijae
Sammanfattning: The evolution of the record producer from technician to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances - in the Albert Hall or elsewhere - but instead created a new sonic world
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B24.887 1 Available 26201807574
Total holds: 0

The evolution of the record producer from technician to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances - in the Albert Hall or elsewhere - but instead created a new sonic world

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