The producer as composer : shaping the sounds of popular music / Virgil Moorefield
Utgivning: Cambridge, Mass. : MIT Press, cop. 2005Beskrivning: xix, 143 sISBN:- 0-262-13457-8
- 978-0-262-51405-7 (pbk pr. 2010)
- 781.49 23
- 781.49 22
- Ijx
- Ijb.55
- Ijae
Item type | Current library | Call number | Materials specified | Copy number | Status | Date due | Barcode | Item holds | |
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Book | Musik- och teaterbiblioteket Magasin A | B24.887 | 1 | Available | 26201807574 |
The evolution of the record producer from technician to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances - in the Albert Hall or elsewhere - but instead created a new sonic world
Dawson