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Mozart als Theoretiker der Harmonielehre : mit Abdruck der Generalbasslehren von Albrechtsberger und "Mozart" / Wolfgang Grandjean

Av:

Grandjean, Wolfgang

Serie: Folkwang Studien ; 3Utgivning: Hildesheim : Olms, 2006Beskrivning: 310 s. : musiknoterISBN:

3-487-13030-0

Ämne:

DDK-klassifikation:

781 22 (machine generated)

SAB-klassifikation:

Ijaa
Ijag
Ijz Mozart, Wolfgang Amadeus

Sammanfattning: In Vienna, Mozart introduced several students to the basics of musical composition. The preserved and corrected compositional exercises prove him to be a skilled teacher with a systematic foresight and a methodical talent. This book analyzes the principles of Mozart's teaching and reconstructs Mozart's position between former figured bass theory and modern harmony theory by contextualizing it in relation to contemporary instructional works. The Kurze Generalbass-Lehre± published posthumously under the name of Mozart and regarded so far as inauthentic, follows Mozart's basic teaching principles: thus, its authenticity cannot be completely ruled out any longer. It is printed and explained in this book in comparison with the related figured bass theory of Mozart's contemporary Johann Georg Albrechtsberger

Holdings ( 1 )
Title notes ( 1 )

Holdings
Item type	Current library	Call number	Materials specified	Copy number	Status	Date due	Barcode	Item holds
Book	Musik- och teaterbiblioteket Magasin A	B25.724		1	Available		26201811872

Total holds: 0

In Vienna, Mozart introduced several students to the basics of musical composition. The preserved and corrected compositional exercises prove him to be a skilled teacher with a systematic foresight and a methodical talent. This book analyzes the principles of Mozart's teaching and reconstructs Mozart's position between former figured bass theory and modern harmony theory by contextualizing it in relation to contemporary instructional works. The Kurze Generalbass-Lehre± published posthumously under the name of Mozart and regarded so far as inauthentic, follows Mozart's basic teaching principles: thus, its authenticity cannot be completely ruled out any longer. It is printed and explained in this book in comparison with the related figured bass theory of Mozart's contemporary Johann Georg Albrechtsberger