Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality / David E. Schneider

Av: Serie: California studies in 20th-century music ; 5Utgivning: Berkeley : University of California Press, 2006Beskrivning: 308 s. : ill., musiknoterISBN:
  • 0-520-24503-2
Ämne: DDK-klassifikation:
  • 780.92 22/swe
SAB-klassifikation:
  • Ijz Bartók, Béla
Innehåll:
1. Tradition Rejected : Bartók's Polemics and the Nineteenth-Century Hungarian Musical Inheritance; 2. Tradition Maintained: Nationalism, Verbunkos, Kossuth, and the Rhapsody, Op. 1; 3. Tradition Transformed: "The Night's Music" and the Pastoral Roots of a Modern Style; 4. Tradition Challenged: Confronting Stravinsky; 5. Tradition Transcribed: The Rhapsody for Violin No. 1, the Politics of Folk-Music Research, and the Artifice of Authenticity; 6. Tradition Restored: The Violin Concerto, Verbunkos, and Hungary on the Eve of World War II
Sammanfattning: It is well known that Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. This study presents a different approach to Bartók that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky
Holdings
Item type Current library Call number Materials specified Copy number Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket Magasin A B25.255 1 Available 26201808915
Total holds: 0

1. Tradition Rejected : Bartók's Polemics and the Nineteenth-Century Hungarian Musical Inheritance; 2. Tradition Maintained: Nationalism, Verbunkos, Kossuth, and the Rhapsody, Op. 1; 3. Tradition Transformed: "The Night's Music" and the Pastoral Roots of a Modern Style; 4. Tradition Challenged: Confronting Stravinsky; 5. Tradition Transcribed: The Rhapsody for Violin No. 1, the Politics of Folk-Music Research, and the Artifice of Authenticity; 6. Tradition Restored: The Violin Concerto, Verbunkos, and Hungary on the Eve of World War II

It is well known that Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. This study presents a different approach to Bartók that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky

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