Music after Hitler, 1945-1955 / Toby Thacker
Utgivning: Aldershot : Ashgate, 2007ISBN:- 0-7546-5346-3
- 978-0-7546-5346-2
- 780.9 22 (machine generated)
- Ijb-fa.55
Innehåll:
Sammanfattning: There is an assumption that two separate musical cultures emerged in East and West alongside the division of Germany into two states. This book challenges these assumptions, asking how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955.
Part 1. Allied re-education, 1945-49: Music and regeneration ; Denazification ; Anti-fascism and music ; 'Cultural freedom' or 'contemporary realism'? -- Part 2. New musical cultures, 1949-55: Bach 'shenanigans' ; Music and state in Germany 1950-55 ; Dance music : the enemy within? ; Collaboration, confrontation, and infiltration ; Conclusion : When music mattered
| Exemplartyp | Aktuellt bibliotek | Hyllsignatur | Ex.nummer | Status | Streckkod | |
|---|---|---|---|---|---|---|
| Bok | Musik- och teaterbiblioteket Magasin A | B25.067 | 1 | Tillgänglig | 26201808589 |
Antal reservationer: 0
Part 1. Allied re-education, 1945-49: Music and regeneration ; Denazification ; Anti-fascism and music ; 'Cultural freedom' or 'contemporary realism'? -- Part 2. New musical cultures, 1949-55: Bach 'shenanigans' ; Music and state in Germany 1950-55 ; Dance music : the enemy within? ; Collaboration, confrontation, and infiltration ; Conclusion : When music mattered
There is an assumption that two separate musical cultures emerged in East and West alongside the division of Germany into two states. This book challenges these assumptions, asking how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955.