Analytical methods of electroacoustic music / edited by Mary Simoni

Medverkande: Utgivning: New York, NY : Routledge, 2006Beskrivning: 301 s. : ill., musiknoter + 1 DVD-ROMISBN:
  • 978-0-415-97629-9
  • 0-415-97629-4
Ämne: DDK-klassifikation:
  • 786.7 22 (machine generated)
SAB-klassifikation:
  • Iji
  • Ijad
Delvis innehåll:
1. Introduction -- 2. Visualization of musical signals -- 3. The Intention/Reception Project -- 4. Paul Lansky's As If -- 5. Alvin Lucier's I am sitting in a room -- 6. Jonathan Harvey's Mortuos Plango, Vivos Voco --7. Philippe Manoury's Jupiter -- 8. Barry Truax's Riverrun --9. Philippe Manoury's Opera K
Sammanfattning: Containing extensive artwork serving as demonstration, as well as a DVD with sound and video clips, this collection of essays explores the creative possibilities to be found in various forms of musical analysis. Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: the applications of neumes; contemporary staff notation; sound orchestra and score files; time-domain representations; spectrograms. The books takes into consideration both the positive (preservation of the abstract) and negative (creative limitation) aspects of these analytical methods.
Bestånd
Exemplartyp Aktuellt bibliotek Hyllsignatur Ex.nummer Status Streckkod
Bok Musik- och teaterbiblioteket Magasin A B25.382 1 Tillgänglig 26201809337
Bok Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : A1 1 Tillgänglig (Längre framtagningstid / Longer processing time) 26201827489
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1. Introduction -- 2. Visualization of musical signals -- 3. The Intention/Reception Project -- 4. Paul Lansky's As If -- 5. Alvin Lucier's I am sitting in a room -- 6. Jonathan Harvey's Mortuos Plango, Vivos Voco --7. Philippe Manoury's Jupiter -- 8. Barry Truax's Riverrun --9. Philippe Manoury's Opera K

Containing extensive artwork serving as demonstration, as well as a DVD with sound and video clips, this collection of essays explores the creative possibilities to be found in various forms of musical analysis. Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: the applications of neumes; contemporary staff notation; sound orchestra and score files; time-domain representations; spectrograms. The books takes into consideration both the positive (preservation of the abstract) and negative (creative limitation) aspects of these analytical methods.

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