Damage incorporated : Metallica and the production of musical identity / Glenn T. Pillsbury
Utgivning: New York, NY : Routledge, 2006Beskrivning: 242 s. : ill., musiknoter ; 23 cmISBN:- 0-415-97373-2 (hb)
- 978-0-415-97373-1 (hb)
- 0-415-97374-0 (pb)
- 978-0-415-97374-8 (pb)
- 782.42166092/2 B 22
- ML421.M48 P55 2006
- Ijz Metallica
- Ijxned
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Magasin A | B25.423 | 1 | Available | 26201809215 |
Includes bibliographical references (p. 223-230), discography (p. 221-222), and index.
Thrashing all around: rhythm, the body, and the genre of thrash metal -- Death greets me warm: the fade to black paradigm -- Thinking man's metal: whiteness, detachment, and the performance of musical complexity -- The road and the mode: musical tourism and ethnicity roaming -- Shape shift, mutiny in the air: the sell-out question and popular music histories
Exploring one of the most influential heavy metal bands of all time, the book presents an interdisciplinary study of a range of topics that intersect in the music and cultural influence of Metallica. Specifically focusing on identity in popular music as a set of performing conventions, Pillsbury explores Metallica's place as a constant impetus within certain conventions of genre, race and gender and engages broadly with larger questions of the politics of culture, American history, musical analysis and the character of musical discourses in the context of commerce