Arsenio Rodríguez and the transnational flows of Latin popular music / David F. García.

Av: Språk: Engelska Serie: Studies in Latin American and Caribbean musicUtgivning: Philadelphia, PA : Temple University Press, 2006Beskrivning: xii, 210 s. ill., musiknoterInnehållstyp:
  • Text
Medietyp:
  • Omedierad resurs
Bärartyp:
  • Volym
ISBN:
  • 1592133851
  • 9781592133857
  • 159213386X
  • 9781592133864
Ämne: Genre/Form: DDK-klassifikation:
  • 781.64092 22
LC-klassifikation:
  • ML410.R63235
SAB-klassifikation:
  • Ijv-qchaa
  • Ijz Rodríguez, Arsenio
Innehåll:
Introduction. Feeling son montuno : issues and theoretical approach -- I was born of Africa : Black consciousness and Cubanidad. Formative years ; Reclaiming Africa ; Adore her as Martí did -- Negro y macho : Arsenio Rodríguez's conjunto and son montuno style. The early septetos and conjunto, 1926-44 ; Contratiempo and the emergence of the son montuno feel ; Placing the emergence of son montuno -- Who's who in mambo? Migrating to New York City ; I sell rhythm! The political economy of son montuno and mambo ; The pueblo pueblo of El Barrio and the Bronx -- Remembering the past with El Ciego Maravilloso. Arsenio Rodríguez in Chicago, Curaçao, and Los Angeles ; Nostalgia, exile politics, and the presalsa milieu in New York City ; Final performances and death in Los Angeles -- Salsa and Arsenio Rodríguez's legacy. We were disciples of Arsenio ; Son montuno and salsa aesthetics -- Conclusion : remembering Arsenio Rodríguez, remembering son montuno.
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B25.567 1 Available 26201809816
Total holds: 0

Innehåller diskografi

Introduction. Feeling son montuno : issues and theoretical approach -- I was born of Africa : Black consciousness and Cubanidad. Formative years ; Reclaiming Africa ; Adore her as Martí did -- Negro y macho : Arsenio Rodríguez's conjunto and son montuno style. The early septetos and conjunto, 1926-44 ; Contratiempo and the emergence of the son montuno feel ; Placing the emergence of son montuno -- Who's who in mambo? Migrating to New York City ; I sell rhythm! The political economy of son montuno and mambo ; The pueblo pueblo of El Barrio and the Bronx -- Remembering the past with El Ciego Maravilloso. Arsenio Rodríguez in Chicago, Curaçao, and Los Angeles ; Nostalgia, exile politics, and the presalsa milieu in New York City ; Final performances and death in Los Angeles -- Salsa and Arsenio Rodríguez's legacy. We were disciples of Arsenio ; Son montuno and salsa aesthetics -- Conclusion : remembering Arsenio Rodríguez, remembering son montuno.

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