Letters from a life : the selected letters of Benjamin Britten. Vol. 4 1952-1957 / edited by Philip Reed, Mervyn Cooke and Donald Mitchell.
Språk: Engelska Utgivning: London : Boydell & Brewer, 2008Beskrivning: 633 s. ill., musiknoterISBN:- 9781843833826
- 1952-1957
- 780.92 22
- Ijz Britten, Benjamin
- Britten, Benjamin Letters from a life : the selected letters and diaries of Benjamin Britten 1913-1976London : Faber and Faber, 2004 0-571-16405-6
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Magasin A | B25.853 | 1 | Available | 26201812377 |
This fourth volume covers the years 1952-57, during which Britten wrote three major works for the stage - the Coronation opera Gloriana, the chamber opera The Turn of the Screw, and the full-length ballet The Prince of the Pagodas - as well as important vocal works such as Canticles II and III and the Hardy song-cycle Winter Words. Correspondents include librettists William Plomer (Gloriana) and Myfanwy Piper (The Turn of the Screw), and friends and collaborators such as Edith Sitwell, E. M. Forster, Basil Coleman, Imogen Holst, Francis Poulenc, Lennox Berkeley, the Earl of Harewood and Britten's partner and principal interpreter, Peter Pears.This volume charts Britten's growing stature as a major figure of the European musical establishment as composer, conductor and pianist, and his continuing involvement with the Aldeburgh Festival, the English Opera Group, and Covent Garden. Central to the period is the world trip undertaken by Britten and Pears and the first-hand encounter with the music and cultures of Bali and Japan that were radically to inform Britten's compositional techniques from Pagodas onwards. The comprehensive and scholarly annotations vividly evoke a key period in twentieth-century musical and cultural history, and offer a wide range of detailed information fascinating for both the Britten specialist and the general reader.