The selected writings of Max Reger / edited and translated by Christopher Anderson

Av: Medverkande: Språk: Engelska Original language: Tyska Utgivning: New York, NY : Routledge, 2006Beskrivning: 138 s. : musiknoterISBN:
  • 978-0-415-97382-3
Ämne: DDK-klassifikation:
  • 780.92 22 (machine generated)
SAB-klassifikation:
  • Ijz Reger, Max
  • Ijaa
Ofullständigt innehåll:
INTRODUCTION Max Reger and the Written Word -- PART I: DEFENSE OF THE BEITRÄGE ZUR MODULATIONSLEHRE OF 1903 -- PART II: THE DRAESEKE CONTROVERSY OF 1906 -- PART III: RECEPTION: Hugo Wolf's artistic legacy (1904) ; On April 1 (1904) : Felix Mendelssohn Bartholdy's Songs without words (1909) ; [On Johann Sebastian Bach] (1905) ; [On Richard Strauss] (1912 and 1914) -- PART IV: ANALYSES OF REGER'S WORKS FOR THE FESTIVALS OF THE ALLGEMEINER DEUTSCHER MUSIKVEREIN: String Quartet op. 74 in D minor ; Variations and Fugue on a Theme of Joh. Seb. Bach for Piano op. 81 and Variations and Fugue on a Theme of Beethoven for Two Pianos, Four Hands op. 86 ; Psalm 100 for Chorus, Orchestra, and Organ op. 106 ; Quartet for Violin, Viola, Violoncello, and Piano op. 113 ; Römischer Triumphgesang for Men¿s Chorus and Orchestra op. 126
Sammanfattning: Although he wrote a major book on music theory published in 1903 (and translated into English a year later), Reger's extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger's writings and music in the context of his time
Holdings
Item type Current library Call number Copy number Status Barcode
Book Musik- och teaterbiblioteket Magasin A B25.912 1 Available 26201812431
Total holds: 0

INTRODUCTION Max Reger and the Written Word -- PART I: DEFENSE OF THE BEITRÄGE ZUR MODULATIONSLEHRE OF 1903 -- PART II: THE DRAESEKE CONTROVERSY OF 1906 -- PART III: RECEPTION: Hugo Wolf's artistic legacy (1904) ; On April 1 (1904) : Felix Mendelssohn Bartholdy's Songs without words (1909) ; [On Johann Sebastian Bach] (1905) ; [On Richard Strauss] (1912 and 1914) -- PART IV: ANALYSES OF REGER'S WORKS FOR THE FESTIVALS OF THE ALLGEMEINER DEUTSCHER MUSIKVEREIN: String Quartet op. 74 in D minor ; Variations and Fugue on a Theme of Joh. Seb. Bach for Piano op. 81 and Variations and Fugue on a Theme of Beethoven for Two Pianos, Four Hands op. 86 ; Psalm 100 for Chorus, Orchestra, and Organ op. 106 ; Quartet for Violin, Viola, Violoncello, and Piano op. 113 ; Römischer Triumphgesang for Men¿s Chorus and Orchestra op. 126

Although he wrote a major book on music theory published in 1903 (and translated into English a year later), Reger's extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger's writings and music in the context of his time

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