Delightfulee : the life and music of Lee Morgan / by Jeffery S. McMillan.

Av: Språk: Engelska Serie: Jazz perspectivesUtgivning: Ann Arbor : University of Michigan Press, cop. 2008Beskrivning: ix, 250 s., [8] pl.-s. ill. 23 cmISBN:
  • 9780472115020
  • 0472115022
  • 9780472032815
  • 047203281X
Ämne: Genre/Form: DDK-klassifikation:
  • 788.9/2165092 22
LC-klassifikation:
  • ML419.M68
SAB-klassifikation:
  • Ijz Morgan, Lee
  • Ijfg
  • Ijxc
Onlineresurser:
Innehåll:
Beginnings -- The student -- Breaking into the big time -- Many nights in Tunisia : on tour with the Dizzy Gillespie Orchestra -- Gigging and recording -- Freelancing and becoming a Jazz Messenger -- Life as a Messenger -- The summit -- Collapse -- Comeback and The sidewinder -- Blue Note classics -- Studio man -- Left Bank jazz society and another comeback -- Working man -- New beginning -- Slugs'.
Sammanfattning: The story of one of the most individual jazz stylists of his time. Lee Morgan began his professional career in Philadelphia at age fifteen. At eighteen, after a short stint with Art Blakey's Jazz Messengers, Morgan went to New York to join Dizzy Gillespie's orchestra, where he stayed until 1958, when the group disbanded. A return to Blakey brought Morgan new opportunities, including his first attempts at composition. But however much his time with Blakey helped to advance his playing and writing, the destructive drug habits of Morgan's band mates exerted just as strong an influence. Morgan's return to music in the early to mid 1960s witnessed a tremendous evolution in his playing. Formerly a virtuoso in the mold of his idol, Clifford Brown, Morgan brought to his critically acclaimed Blue Note records of the era an emotionally charged, muscular tone, full of poise and control. But it was with the record Sidewinder, recorded in 1963, that Morgan found his greatest fame and commercial success. The title tune, an infectious groove incorporating elements of R&B and a Latin tinge, set off a craze for crossover jazz. By the time of his death, at 34 - murdered by his common-law wife - Morgan had begun a new phase of his career, experimenting with more modal and free-form jazz. Jeff McMillan's biography of this important modern jazz figure is the first to include serious analysis of Morgan's music, both as a performer and a composer. McMillan also had exclusive access to Lee Morgan's now-deceased brother, who was able to provide unparalleled insight into Morgan's personal and family life.
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B26.045 1 Available 26201812253
Total holds: 0

Includes bibliographical references (p. 233-238) and index.

Beginnings -- The student -- Breaking into the big time -- Many nights in Tunisia : on tour with the Dizzy Gillespie Orchestra -- Gigging and recording -- Freelancing and becoming a Jazz Messenger -- Life as a Messenger -- The summit -- Collapse -- Comeback and The sidewinder -- Blue Note classics -- Studio man -- Left Bank jazz society and another comeback -- Working man -- New beginning -- Slugs'.

The story of one of the most individual jazz stylists of his time. Lee Morgan began his professional career in Philadelphia at age fifteen. At eighteen, after a short stint with Art Blakey's Jazz Messengers, Morgan went to New York to join Dizzy Gillespie's orchestra, where he stayed until 1958, when the group disbanded. A return to Blakey brought Morgan new opportunities, including his first attempts at composition. But however much his time with Blakey helped to advance his playing and writing, the destructive drug habits of Morgan's band mates exerted just as strong an influence. Morgan's return to music in the early to mid 1960s witnessed a tremendous evolution in his playing. Formerly a virtuoso in the mold of his idol, Clifford Brown, Morgan brought to his critically acclaimed Blue Note records of the era an emotionally charged, muscular tone, full of poise and control. But it was with the record Sidewinder, recorded in 1963, that Morgan found his greatest fame and commercial success. The title tune, an infectious groove incorporating elements of R&B and a Latin tinge, set off a craze for crossover jazz. By the time of his death, at 34 - murdered by his common-law wife - Morgan had begun a new phase of his career, experimenting with more modal and free-form jazz. Jeff McMillan's biography of this important modern jazz figure is the first to include serious analysis of Morgan's music, both as a performer and a composer. McMillan also had exclusive access to Lee Morgan's now-deceased brother, who was able to provide unparalleled insight into Morgan's personal and family life.

Musik- och teaterbiblioteket
Tegeluddsvägen 100, Stockholm, Sweden
info@musikochteaterbiblioteket.se / + 46 8 519 554 12
Nearest bus stop: Frihamnsporten. Buses 1, 72 and 76 stop right outside. Nearest underground stations are Gärdet and Karlaplan.