Mozart on the stage / John A. Rice

Av: Serie: Composers on the stageUtgivning: Cambridge : Cambridge University Press, cop. 2009Beskrivning: 278 s. : ill., faks., musiknoterISBN:
  • 978-0-521-81634-2 (inb.)
  • 978-0-521-01661-2 (hft.)
Ämne: DDK-klassifikation:
  • 780.92 22 (machine generated)
SAB-klassifikation:
  • Ijz Mozart, Wolfgang Amadeus
  • Ijra
Innehåll:
Mozart in the theater ; Mozart's operas: function, genres, archetypes ; Commissions, fees, and the origins of Mozart's operas ; Mozart and his librettists ; Composition ; Mozart and his singers ; Rehearsal, revision, and promotion ; Theaters and stage design ; The audience ; Performance and reception
Sammanfattning: Tells the story of how Mozart's operas came into existence, following the processes that Mozart went through as he brought his operas from commission to performance. Chapters trace the fascinating series of interactions that took place between Mozart and librettists, singers, stage designers, orchestras, and audiences. In linking the operas by topic, Rice emphasizes what Mozart's operas have in common, regardless of when he wrote them and the genres to which they belong. Overall, the book demonstrates how Mozart's entire operatic oeuvre is the product of a single extraordinary mind and a single pan-European operatic culture
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B26.068 1 Available 26201815000
Total holds: 0

Mozart in the theater ; Mozart's operas: function, genres, archetypes ; Commissions, fees, and the origins of Mozart's operas ; Mozart and his librettists ; Composition ; Mozart and his singers ; Rehearsal, revision, and promotion ; Theaters and stage design ; The audience ; Performance and reception

Tells the story of how Mozart's operas came into existence, following the processes that Mozart went through as he brought his operas from commission to performance. Chapters trace the fascinating series of interactions that took place between Mozart and librettists, singers, stage designers, orchestras, and audiences. In linking the operas by topic, Rice emphasizes what Mozart's operas have in common, regardless of when he wrote them and the genres to which they belong. Overall, the book demonstrates how Mozart's entire operatic oeuvre is the product of a single extraordinary mind and a single pan-European operatic culture

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