Night music : essays on music 1928-1962 / Theodor W. Adorno ; edited by Rolf Tiedemann ; translated and introduced by Wieland Hoban

Av: Medverkande: Språk: Engelska Original language: Tyska Utgivning: London ; New York : Seagull Books, 2009Beskrivning: xv, 473 s. ; 22 cmISBN:
  • 978-1-906497-21-7
  • 1-906497-21-4
Ämne: DDK-klassifikation:
  • 780
LC-klassifikation:
  • ML60 .A36 2009
SAB-klassifikation:
  • Ijaa
  • Ijb.5
Innehåll:
Moments musicaux. Foreword ; Beethoven's last style ; Schubert ; Homage to Zerlina ; The pictorial world of Der Freischutz ; The tales of Hoffmann in Offenbach's motives ; On the score of Parsifal ; Night music ; Ravel ; New tempi ; On jazz ; Physignomy of Krenek ; Mahagonny ; Zillig's Verlaine songs ; Reaction and progress ; Schönberg's Wind quintet ; Alienated magnum opus : The Missa solemnis -- Theory of new music. Nineteen encyclopedia articles on new music ; Atonal intermezzo? ; Against the new tonality ; Excursuses on an excursus ; Why twelve-note music? ; The development and forms of new music ; New music today ; On the state of composition in Germany ; On the relationship between painting and music today ; On the current relationship between philosophy and music
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A C10.241 1 Available 26201814942
Total holds: 0

Includes bibliographical references.

Moments musicaux. Foreword ; Beethoven's last style ; Schubert ; Homage to Zerlina ; The pictorial world of Der Freischutz ; The tales of Hoffmann in Offenbach's motives ; On the score of Parsifal ; Night music ; Ravel ; New tempi ; On jazz ; Physignomy of Krenek ; Mahagonny ; Zillig's Verlaine songs ; Reaction and progress ; Schönberg's Wind quintet ; Alienated magnum opus : The Missa solemnis -- Theory of new music. Nineteen encyclopedia articles on new music ; Atonal intermezzo? ; Against the new tonality ; Excursuses on an excursus ; Why twelve-note music? ; The development and forms of new music ; New music today ; On the state of composition in Germany ; On the relationship between painting and music today ; On the current relationship between philosophy and music

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