Murder most foul : Hamlet through the ages / David Bevington.

Av: Språk: Engelska Utgivning: Oxford ; New York : Oxford University Press, 2011Beskrivning: xiv, 236 p. ill. 23 cmISBN:
  • 9780199599103
  • 0199599106
Ämne: DDK-klassifikation:
  • 822.33 22
Sammanfattning: What is it about Hamlet that has made it such a compelling and vital work? This book is an account of Shakespeare's great play from its sources in Scandinavian epic lore to the way it was performed and understood in his own day, and then how the play has fared down to the present: performances on stage, television, and in film, critical evaluations, publishing history, spinoffs, spoofs, musical adaptations, the play's growing reputation, its influence on writers and thinkers, and the ways in which it has shaped the very language we speak. The staging, criticism and editing of Hamlet, David Bevington argues, go hand in hand over the centuries, to such a remarkable extent that the history of Hamlet can be seen as a kind of paradigm for the cultural history of the English-speaking world.
Holdings
Item type Current library Call number Materials specified Copy number Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket Magasin A C13.401 1 Available 26201835389
Total holds: 0

Includes bibliographical references (p. [213]-219) and index.

What is it about Hamlet that has made it such a compelling and vital work? This book is an account of Shakespeare's great play from its sources in Scandinavian epic lore to the way it was performed and understood in his own day, and then how the play has fared down to the present: performances on stage, television, and in film, critical evaluations, publishing history, spinoffs, spoofs, musical adaptations, the play's growing reputation, its influence on writers and thinkers, and the ways in which it has shaped the very language we speak. The staging, criticism and editing of Hamlet, David Bevington argues, go hand in hand over the centuries, to such a remarkable extent that the history of Hamlet can be seen as a kind of paradigm for the cultural history of the English-speaking world.

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