Music, theater and cultural transfer : Paris, 1830-1914 / Edited by Annegret Fauser and Mark Everist

Medverkande: Utgivning: Chicago : The University of Chicago Press, 2009.Beskrivning: ix, 439 s. : ill., musiknoter ; 27 cmISBN:
  • 978-0-226-23926-2
Ämne: DDK-klassifikation:
  • 782.10944/36109034 22
SAB-klassifikation:
  • Ijra
Innehåll:
Part 1. Institutions. The company at the heart of the operatic institution: Chollet and the changing nature of Comic-Opera role types during the July Monarchy / Olivier Bara ; Fromental Halévy within the Paris Opéra: composition and control / Diana R. Hallman ; Systems failure in operatic Paris: the acid test of the Théâtre Lyrique / Katharine Ellis ; Jacques Offenbach: the music of the past and the image of the present / Mark Everist ; Carvalho and the Opéra-Comique: l'art de se hâter lentement / Lesley Wright ; Finding a stage for French opera / David Grayson -- Part 2. Cultural transfer. Auber's Gustave III: history as opera / Sarah Hibberd ; Analyzing mise-en-scène: Halévy's La juive at the Salle le Peletier / Arnold Jacobshagen ; Lucia goes to Paris: a tale of three theaters / Rebecca Harris-Warrick ; Cette musique sans tradition: Wagner's Tannhäuser and its French critics / Annegret Fauser ; La sylphide and Les sylphides / Marian Smith ; Questions of genre: Massenet's Les érynnies at the Théâtre-National-Lyrique / Peter Lamothe -- Part 3. The Midi and Spain, or Autour de Carmen. Carmen: couleur locale or the real thing? / Kerry Murphy ; Spanish local color in Bizet's Carmen: unexplored borrowings and transformations / Ralph P. Locke ; La princesse paysanne du Midi / Steven Huebner -- Appendix: a documentary overview of musical theaters in Paris, 1830 / Alicia C. Levin.
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Book Musik- och teaterbiblioteket Magasin A B28.242 1 Available 26201824189
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Rev. papers from the international symposium "The Institutions of Opera in Paris from the July Revolution to the Dreyfus Affair", held in Chapel Hill and Durham, N.C., Sept. 24-26, 2004.

Includes bibliographical references (p. 403-424) and index.

Part 1. Institutions. The company at the heart of the operatic institution: Chollet and the changing nature of Comic-Opera role types during the July Monarchy / Olivier Bara ; Fromental Halévy within the Paris Opéra: composition and control / Diana R. Hallman ; Systems failure in operatic Paris: the acid test of the Théâtre Lyrique / Katharine Ellis ; Jacques Offenbach: the music of the past and the image of the present / Mark Everist ; Carvalho and the Opéra-Comique: l'art de se hâter lentement / Lesley Wright ; Finding a stage for French opera / David Grayson -- Part 2. Cultural transfer. Auber's Gustave III: history as opera / Sarah Hibberd ; Analyzing mise-en-scène: Halévy's La juive at the Salle le Peletier / Arnold Jacobshagen ; Lucia goes to Paris: a tale of three theaters / Rebecca Harris-Warrick ; Cette musique sans tradition: Wagner's Tannhäuser and its French critics / Annegret Fauser ; La sylphide and Les sylphides / Marian Smith ; Questions of genre: Massenet's Les érynnies at the Théâtre-National-Lyrique / Peter Lamothe -- Part 3. The Midi and Spain, or Autour de Carmen. Carmen: couleur locale or the real thing? / Kerry Murphy ; Spanish local color in Bizet's Carmen: unexplored borrowings and transformations / Ralph P. Locke ; La princesse paysanne du Midi / Steven Huebner -- Appendix: a documentary overview of musical theaters in Paris, 1830 / Alicia C. Levin.

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