Re-inventing harmony in electroacoustic music : a commentary on my recent music / Paulina Sundin

Av: Medverkande: Utgivning: Huddersfield: University of Huddersfield, 2010Beskrivning: 203 s. : ill., musiknoterÄmne: DDK-klassifikation:
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Avhandlingskommentar: Thesis (Ph.D.)--University of Huddersfield, 2010 Abstrakt: Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based material in my music written between 1999 and 2010. The selected works illustrates the process leading up to my research based on psychoacoustic consonance and dissonance and my strategies to create a new kind of harmony - a harmony based on concrete sounds with inharmonic spectra. The discussion will refer to pieces by composers who have worked with harmony based on the analysis of sound spectra; instrumental and mixed works by spectralist composers such as Grisey, Murail and Saariaho and electroacoustic works by Harvey and others. I will address the importance of research in the psychoacoustic field, in particular, research by William A. Sethares regarding inharmonic spectra and scales and how it has affected my works
Holdings
Item type Current library Call number Materials specified Copy number Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : F1 Sundin 1 Available (Längre framtagningstid / Longer processing time) 26201822573
Total holds: 0

Thesis (Ph.D.)--University of Huddersfield, 2010

Includes bibliographical references

Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based material in my music written between 1999 and 2010. The selected works illustrates the process leading up to my research based on psychoacoustic consonance and dissonance and my strategies to create a new kind of harmony - a harmony based on concrete sounds with inharmonic spectra. The discussion will refer to pieces by composers who have worked with harmony based on the analysis of sound spectra; instrumental and mixed works by spectralist composers such as Grisey, Murail and Saariaho and electroacoustic works by Harvey and others. I will address the importance of research in the psychoacoustic field, in particular, research by William A. Sethares regarding inharmonic spectra and scales and how it has affected my works

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