Blixa Bargeld and Einstürzende Neubauten : German experimenal music : 'evading do-re-mi' / Jennifer Shryane.

Av: Språk: Engelska Serie: Ashgate popular and folk music seriesUtgivning: Farnham : Ashgate, cop. 2011Beskrivning: xii, 253 s. ill. 24 cmISBN:
  • 9781409421566
  • 1409421562
Ämne: DDK-klassifikation:
  • 782.421660922 22
LC-klassifikation:
  • ML421.E5 S57 2011
SAB-klassifikation:
  • Ijz Einstürzende Neubauten
  • Ijxnei
Innehåll:
Cover; Contents; List of Figures; Vorwort; Acknowledgments; Abbreviations; Part I: Context for Destruction; Part III: Performing Reconstruction; Appendix 1: Einstürzende Neubauten; Appendix 2: Warten auf die Barbaren; Appendix 3: Jo Mitchell's Reconstruction of Concerto for Voice and Machinery; Appendix 4: 'She is Happy like Roadworks'; Bibliography; Index
Sammanfattning: Jennifer Shryane provides a much-needed analysis of Einstürzende Neubauten 's important place in popular/experimental music history. She illustrates their innovations with found- and self-constructed instrumentation, their Artaudian performance strategies and textual concerns, as well as their methods of independence. The group have also made a consistent and unique contribution to the development of the independent German Language Contemporary Music scene, which although often acknowledged as influential, is still rarely examined
Bestånd
Exemplartyp Aktuellt bibliotek Hyllsignatur Del av materialet som avses Ex.nummer Status Förfallodatum Streckkod Exemplarreservationer
Bok Musik- och teaterbiblioteket Magasin A B28.300 1 Tillgänglig 26201824341
Bok Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : F1 Einstürzende Neubauten 2 Tillgänglig (Längre framtagningstid / Longer processing time) 26201822579
Antal reservationer: 0

Cover; Contents; List of Figures; Vorwort; Acknowledgments; Abbreviations; Part I: Context for Destruction; Part III: Performing Reconstruction; Appendix 1: Einstürzende Neubauten; Appendix 2: Warten auf die Barbaren; Appendix 3: Jo Mitchell's Reconstruction of Concerto for Voice and Machinery; Appendix 4: 'She is Happy like Roadworks'; Bibliography; Index

Jennifer Shryane provides a much-needed analysis of Einstürzende Neubauten 's important place in popular/experimental music history. She illustrates their innovations with found- and self-constructed instrumentation, their Artaudian performance strategies and textual concerns, as well as their methods of independence. The group have also made a consistent and unique contribution to the development of the independent German Language Contemporary Music scene, which although often acknowledged as influential, is still rarely examined

Dawson

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