Includes bibliographical references (p. 444-456).

À l'ouverture des enfers / Geoffrey Burgess -- Ballet, pantomime, and the sung word in the operas of Rameau / Rebecca Harris-Warrick -- Naive questions and laughable answers : an eighteenth-century job interview / Steven Zohn -- Of ocular harpsichords and scarlet trumpets / Emily I. Dolan -- Joseph Haydn's early ensemble divertimenti / James Webster -- "Gropers into antique musick" or "a very ancient and respectable society"? : historical views of the Academy of Ancient Music / Christopher Hogwood -- The models for Mozart's arrangements and copies of "foreign" works / Ulrich Leisinger -- Mozart's Fantasy in C minor, K. 475, an editorial problem "repaired" or a half-note by any other name may not swell so sweetly / Malcolm Bilson -- A newly-discovered portrait of Mozart? / Cliff Eisen -- Mozart's remakes / Robert Levin -- Watches without pockets : singing about minutes in a London drawing room, circa 1800 / Sarah Day-O'Connell -- Pièces de clavecin au piano : the pianistic afterlife of French harpsichord music / Sandra Mangsen -- "An American in Paris"; "a Frenchman in New York" : Begegnungen von alter und neuer Welt in der Musik von George Gershwin und Darius Milhaud / Ulrich Konrad -- "Bedauernswerth" ("Urami") by Rentaro Taki : a requiem sans parole for his own premature death by a Japanese composer of the Meiji era / Bin Ebisawa -- "Mutton, mutton, mutton, and never a Wiener Schnitzel!" : Otto Erich Deutsch in exile / David Josephson -- The sounds of music and war : Humphrey Jennings's and Stewart McAllister's Listen to Britain (1942) / David Rosen -- Musicology and performance : a conversation with Neal Zaslaw / John Spitzer -- Bibliography of the writings of Neal Zaslaw

English, with one article in German.