Innehåller bibliografiska referenser

Introduction -- Transnational, Multilingual and Post-dramatic: Rethinking the Location of Translation in Contemporary Theatre / Cristina Marinetti -- Masks, Music Scores and Hourglasses: Rethinking Performability Through Metaphors / Eva Espasa -- Semantics and Syntax in Translating Shakespeare / Alessandro Serpieri -- Verse Translation for the Theatre: A Spanish Example / Paola Ambrosi -- Performing Intertextuality in Translating Rewrites / Silvia Bigliazzi -- From the Peninsula Westward: a Journey among Translations / Lucia Nigri -- Exploring a Bilingual Aesthetics through Translation in Performance / Louise Ladouceur -- Beckett, 'Thou Art Translated' / Enoch Brater -- The Pirandellian mis-en-scène and the Vanishing Translation / Sharon Wood -- Translator and Director: At Dagger's Drawn? / Jean-Louis Besson -- Dramatic Text/Literary Translation/Staging / Guillermo Heras -- Translating for the Audience: Plautus' Captivi by Accademici Intronati (Siena 1530) and the Goldoni's Adaptation of Voltaire's L'écossaise (Venezia 1761) / Marzia Pieri -- 'To act, to do, to perform' Franz Heufeld's and Friedrich Ludwig Schröder's Hamlet-adaptations for the German Stage / Peter Kofler -- "For the newer stage" and "For Our Contemporary Emotion." Suggestion and Emotion in Hofmannsthal's Drama Translations / Dieter Martin -- Nogami Toyoichirō's Noh Translation: Theories and the Primacy of Performance / Beverley Curran -- Transforming Shakespeare into a Kabuki Piece for the Modern Audience: Ninagawa's Twelfth Night / Ayamu Oki-Siekierczak.