Music and Human-Computer Interaction / edited by Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago.

Medverkande: Serie: Utgivning: London : Springer London : Imprint: Springer, 2013.Beskrivning: VIII, 292 p. 60 illus. digitalISBN:
  • 978-1-4471-2989-9
Ämne: DDK-klassifikation:
  • 005.437 23
LC-klassifikation:
  • QA76.9.U83
  • QA76.9.H85
SAB-klassifikation:
  • Iji
  • Pu:do
Innehåll:
Music Interaction: Understanding Music and Human-Computer Interaction / Simon Holland,Katie Wilkie,Paul Mulholland -- Should Music Interaction Be Easy? / James McDermott,Toby Gifford,Anders Bouwer -- Amateur Musicians, Long-term Engagement, and HCI / Isaac Wallis,Todd Ingalls,Ellen Campana -- Affective Musical Interaction: Influencing Users’ Behaviour and Experiences with Music / Anna Bramwell-Dicks,Helen Petrie -- Chasing a Feeling: Experience in Computer Support Jamming / Ben Swift -- The Haptic Bracelets: Learning Multi-limb Rhythm Skills from Haptic Stimuli whilst Reading / Anders Bouwer,Simon Holland,Mat Dalgleish -- Piano Technique as a Case Study in Expressive Gestural Interaction / Andrew P. McPherson,Youngmoo E. Kim -- Live Music-making: A Rich Open Task Requires a Rich Open Interface / Dan Stowell,Alex McLean -- A New Interaction Strategy for Musical Timbre Design / Allan Seago -- Pulsed Melodic Processing – The Use of Melodies in Affective Computations for Increased Processing Transparency / Alexis Kirke,Eduardo Miranda -- Computer Musicking: HCI, CSCW, and Collaborative Digital Musical Interaction / Robin Fencott,Nick Bryan-Kinns -- Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills / Anders Bouwer,Simon Holland,Mat Dalgleish -- Evolutionary and Generative Music Informs Music HCI - and vice versa / James McDermott,Dylan Sherry,Una-May O’Reilly -- Video Analysis for Evaluating Music Interaction: Musical Tabletops / Anna Xambó,Robin Laney,Chris Dobbyn,Sergi Jordà -- Towards a Participatory Approach for Interaction Design based on Conceptual Metaphor Theory: A Case Study from Music Interaction / Katie Wilkie,Simon Holland,Paul Mulholland -- Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System / Toby Gifford -- Index.
Sammanfattning: This agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as ‘Music Interaction’). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : A4 1 Available (Längre framtagningstid / Longer processing time) 26201827561
Total holds: 0

Music Interaction: Understanding Music and Human-Computer Interaction / Simon Holland,Katie Wilkie,Paul Mulholland -- Should Music Interaction Be Easy? / James McDermott,Toby Gifford,Anders Bouwer -- Amateur Musicians, Long-term Engagement, and HCI / Isaac Wallis,Todd Ingalls,Ellen Campana -- Affective Musical Interaction: Influencing Users’ Behaviour and Experiences with Music / Anna Bramwell-Dicks,Helen Petrie -- Chasing a Feeling: Experience in Computer Support Jamming / Ben Swift -- The Haptic Bracelets: Learning Multi-limb Rhythm Skills from Haptic Stimuli whilst Reading / Anders Bouwer,Simon Holland,Mat Dalgleish -- Piano Technique as a Case Study in Expressive Gestural Interaction / Andrew P. McPherson,Youngmoo E. Kim -- Live Music-making: A Rich Open Task Requires a Rich Open Interface / Dan Stowell,Alex McLean -- A New Interaction Strategy for Musical Timbre Design / Allan Seago -- Pulsed Melodic Processing – The Use of Melodies in Affective Computations for Increased Processing Transparency / Alexis Kirke,Eduardo Miranda -- Computer Musicking: HCI, CSCW, and Collaborative Digital Musical Interaction / Robin Fencott,Nick Bryan-Kinns -- Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills / Anders Bouwer,Simon Holland,Mat Dalgleish -- Evolutionary and Generative Music Informs Music HCI - and vice versa / James McDermott,Dylan Sherry,Una-May O’Reilly -- Video Analysis for Evaluating Music Interaction: Musical Tabletops / Anna Xambó,Robin Laney,Chris Dobbyn,Sergi Jordà -- Towards a Participatory Approach for Interaction Design based on Conceptual Metaphor Theory: A Case Study from Music Interaction / Katie Wilkie,Simon Holland,Paul Mulholland -- Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System / Toby Gifford -- Index.

This agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as ‘Music Interaction’). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.

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