Introduction and reflections: Collaborate! : creating an infrastructure for art and interdisciplinary cross-border projects around the Baltic Sea / by Torun Ekstrand -- The weak and strong term “European arts project” / by prof dr Gernot Wolfram -- Art in public space: Finally, a woman on the horse! Art in the public domain – where? / by Torun Ekstrand -- Space Matters / by Oscar Guermouche -- The public space of water / by Agnieszka Kulazińska -- Art for all in the public domain / by Michaela Crimmin -- Notes on time-based public art / by Julia Draganović -- Discuss, not decorate! / by Agnieszka Wołodźko -- What is it about public art that makes it so hard to love? Some remarks on public art in Sweden and an outcast to a theory / by Martin Schibli -- Festival or no festival? / by Michał Bieniek -- Everyday life of the festival / by Julita Wójcik -- On the political economy of public art projects / by Kuba Szreder -- Visual Seismographs Art festivals as an essential part of the urban culture / by Bettina Pelz -- Art in public space – whatever that is Kalmar konstmuseum’s participation in Art Line 2011 to 2012 / text edited and compiled by Ola Carlsson -- Risks of exposure / by dr Catharina Gabrielsson -- Artindigital and physical space – crossmedia: Investigations of the digital non-site: with Robert Smithson towards curating net and software art today / by Jacob Lillemose -- Towards the Third Culture, the co-existence of art, science and technology / by prof dr hab. Ryszard W Kluszczyński -- Towards posthuman creativity : From kinetic to bio-robotic art / by prof dr hab Ryszard W Kluszczyński -- Blue Morph / by Victoria Vesna -- Performing Data: perception of a world in motion / by Monika Fleischmann, Wolfgang Strauss -- The Pleasure of Light : György Kepes and Frankj Malina at the intersection of science and art/ by Nina Czeglédy, Róna Kopeczky -- Art & Apparatus / by Torun Ekstrand -- Art & Apparatus - an encounter between art and technology / by Oscar Guermouche -- Antropocenic Spaces / by Jakob Ingemansson -- The Bodies of Rivers / by Izabela Żółcińska -- Baltic Sounds good / by Krzysztof Topolski -- In between pseudo-ethnography and engaged in-house criticism : conversation with Joanna Warsza / conducted by Torun Ekstrand and Ingemar Lönnbom -- Digital artplatform: Developing a sustainable platform for digital knowledge exchange : artistic practice and creative research / by Lissa Holloway-Attaway -- Augmented reality and the polyaesthetics of digital media / by Maria Engberg and prof Jay David Bolter -- Negotiating immersion and critical distance in panoramic forms from the 18th century to Augmented reality / by Rebecca Rouse -- Inter-Act! – art and activism in social media / by Nicola Bergström Hansen -- The Baltic goes Digital / by Iwona Bigos -- Baltic Sea radio : on data flows and life in real-time / by Pau Waelder -- Occupying public networks / by Joasia Krysa and Geoff Cox -- Telling the Baltic, collaborative story telling project: Telling the Baltic – curators’ conversation / by Torun Ekstrand and Agnieszka Wołodźko -- Digital bridges and liquid borders: everyday storytelling and/as Baltic identity / by Lissa Holloway-Attaway -- Remember! – a museum collecting stories / by Karin Nilsson -- Telling the Baltic / by Dan Jönsson -- An interview with Elena Tsvetaeva and Yulia Bardun (Kaliningrad), curators of the Telling the Baltic project/ by Evgyenya Romanova -- An interview with Rasa Antanavičiūtė (Nida), a curator of the Telling the Baltic project/ by Evgyenya Romanova -- The Baltic Sea Biennale in Rostock / by Frank Schloesser -- Writing Lines: making (post)cards and sharing space / by Erika Deal and Maria Björkman -- The culture tourist: Turning the tide in the South Baltic / by Lisbeth Weihe-Lindeborg -- The accidental and the dedicated art visitor : Art Tours and Art Onboard / by Torun Ekstrand -- The end or the beginning: A new priority area in the EU Strategy for the Baltic Sea region / by Larry Okey Ugwu

Art Line is a South Baltic Cross-Border Project consisting of 14 partners in the Arts and Academy from Poland, Germany, Russia, Lithuania and Sweden. The project period was 2011-2014.