Proceedings / of the 1987 International Computer Music Conference : University of Illinois at Urbana-Champaign, Urbana, Illinois USA, August 23-26, 1987 ; [edited by James W. Beauchamp].

Av: Medverkande: Språk: Odefinierat Utgivning: San Francisco : International Computer Music Association, 1987Beskrivning: 373 sÄmne: DDK-klassifikation:
  • 786.7 23/swe
SAB-klassifikation:
  • Iji
Innehåll:
Tutorial on automated composition / Charles Ames -- Waveguide filter tutorial / Julius O. Smith II -- Integration of music and graphics through algorithmic congruence / Brian Evans -- Procedural composition / Gary Greenberg -- Compposition design system: a functional approach to composition / Keith Hamel, Bruce W. Pennycook, Bill Ripley and Eli Blevis -- The P-G-G environment for music composition / Daniel V. Oppenheim -- Kyma: an object-oriented language for music composition / Carla Scaletti -- Musical production at IRCAM in 1986-87 / Jean-Baptiste Barriere -- The development of a computer music facility at the American University / Eric N. Hamden, Ron Massaro and Gary L. Gibian -- The missing link / Craig R. Harris -- The computer music studio at the University of California, Santa Barbara / JoAnn Kucher-Morin and Dan Timis -- Musical information from a narrowed autocorrelation function / Judith C. Brown and Miller S. Puckette -- Modeling piano sound using waveguide digital filtering techniques / Guy E. Garnett -- Elthar - a signal processing expert that learns / Brad Garton -- Javelina: a environment for the development of software for digial signal processing / Kurt J. Hebel -- Control of phrasing and articulation in synthesis / David Wessel, David Bristow and Zack Settel -- On the scheduling of multiple parallel processors executing synchronously / D. Gareth Loy -- Real time synthesis of bowed string timbres / Charlie Robinson -
- General-purpose Hi-fidelity affordable real-time computer music system / John M. Snell -- Real-time granulation of sampled sound with the DMX-1000 / Barry Truax -- The composer’s desktop project / Martin Atkins, Andrew Bentley, Tom Endrich, Rajmil Fischman, David Malham, Richard Orton and Trevor Wishart -- Le_Loup, an object-oriented extension of Le-Lisp for an integrated computer music environment / Jcques Duthen and Yves Potard -- A Sun-Mercury music workstation / Gerhard Eckel, Xavier Rodet and Yves Potard -- A smalltalk-80-based music toolkit / Stephen T. Pope -- Experiments in musical intelligence / David Cope -- New cognitive theories of harmony applied to direct manipulation tools for novices / Simon Holland -- Connectionist models of musical thinking / Christoph Lischka -- Morphological metrics: an introduction to a theory of formal distances / Larrly Polansky -- Modeling processes of musical invention / Larry Austin and Eugene DeLisa -- Instruments, cybernetics and computer music / Gary Grossman -- HMSL: overview (Version 3.1) and note on intelligent instrument design / Larry Polansky, David Rosenboom and Phil Burk -- Isomorphism, computers and the multi-media work / Noel Zahler -- Synthesizer management based on note priorities / David P. Anderson -- MIDI synthesizers in performance: realtime dynamic timbre production / Jean-Charles Francois, Xavier Chabot and John Silber -- Following an improvization in real time / Roger B. Dannenberg and Bernard Mont-Reynaud -- Audio time compansion for studio and performance sychronzation / Marc LoCascio -- The dysfunctions of MIDI 7 F. Richard Moore -- Soud synthesis by physical models: application to strings / Jean Marie Adrien, Rene Causse and Xavier Rodet -- From small beginnings / Lucy K. Kitching -- Principal components analysis and resynthesis of spectral cues to perceived direction / William L. Martens -- A microcomputer-based analysis/resynthesis scheme for processing sampled sounds using FM / Russel G. Payne -- PARSHL: an analysis/synthesis program for non-harmonic sounds based on a sinusoidal representation / Julius O. Smith and Xavier Serra -- Computer printing, storage and transfer of musical scores / Gerard Assyag and Dan Timis -- ORPHEUS: a music notation program / Diane J. Cook -- Data structures in the note processor / J- Stephen Dydo -- Towards an extensible data structure for the representation of music on computers / John Free -- Issues in the design of a music notation system / Keith A. Hamel -- Highe quality music notation: interactive editing and input by piano keyboard / Giovanni Müller and Raffaello Giulietti -- Personal-computer microworlds for learning about signals and sound / Mark Dolson, Abe Singer and David Rivas -- PRECOMP/GT - a graphic tool for learning topics in computer-assisted composition l/ Richard Kufrin -- Design of an intelligent tutoring system in harmony / Linda B. Sorisio -- Computer music and human engineering: the making of ”Labyrinth” / David Keane
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : A5 ICMC 1987 Ex. 1 1 Available (Längre framtagningstid / Longer processing time) 26201827752
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : A5 ICMC 1987 Ex. 2 2 Available (Längre framtagningstid / Longer processing time) 26201827751
Total holds: 0

Tutorial on automated composition / Charles Ames -- Waveguide filter tutorial / Julius O. Smith II -- Integration of music and graphics through algorithmic congruence / Brian Evans -- Procedural composition / Gary Greenberg -- Compposition design system: a functional approach to composition / Keith Hamel, Bruce W. Pennycook, Bill Ripley and Eli Blevis -- The P-G-G environment for music composition / Daniel V. Oppenheim -- Kyma: an object-oriented language for music composition / Carla Scaletti -- Musical production at IRCAM in 1986-87 / Jean-Baptiste Barriere -- The development of a computer music facility at the American University / Eric N. Hamden, Ron Massaro and Gary L. Gibian -- The missing link / Craig R. Harris -- The computer music studio at the University of California, Santa Barbara / JoAnn Kucher-Morin and Dan Timis -- Musical information from a narrowed autocorrelation function / Judith C. Brown and Miller S. Puckette -- Modeling piano sound using waveguide digital filtering techniques / Guy E. Garnett -- Elthar - a signal processing expert that learns / Brad Garton -- Javelina: a environment for the development of software for digial signal processing / Kurt J. Hebel -- Control of phrasing and articulation in synthesis / David Wessel, David Bristow and Zack Settel -- On the scheduling of multiple parallel processors executing synchronously / D. Gareth Loy -- Real time synthesis of bowed string timbres / Charlie Robinson -

- General-purpose Hi-fidelity affordable real-time computer music system / John M. Snell -- Real-time granulation of sampled sound with the DMX-1000 / Barry Truax -- The composer’s desktop project / Martin Atkins, Andrew Bentley, Tom Endrich, Rajmil Fischman, David Malham, Richard Orton and Trevor Wishart -- Le_Loup, an object-oriented extension of Le-Lisp for an integrated computer music environment / Jcques Duthen and Yves Potard -- A Sun-Mercury music workstation / Gerhard Eckel, Xavier Rodet and Yves Potard -- A smalltalk-80-based music toolkit / Stephen T. Pope -- Experiments in musical intelligence / David Cope -- New cognitive theories of harmony applied to direct manipulation tools for novices / Simon Holland -- Connectionist models of musical thinking / Christoph Lischka -- Morphological metrics: an introduction to a theory of formal distances / Larrly Polansky -- Modeling processes of musical invention / Larry Austin and Eugene DeLisa -- Instruments, cybernetics and computer music / Gary Grossman -- HMSL: overview (Version 3.1) and note on intelligent instrument design / Larry Polansky, David Rosenboom and Phil Burk -- Isomorphism, computers and the multi-media work / Noel Zahler -- Synthesizer management based on note priorities / David P. Anderson -- MIDI synthesizers in performance: realtime dynamic timbre production / Jean-Charles Francois, Xavier Chabot and John Silber -- Following an improvization in real time / Roger B. Dannenberg and Bernard Mont-Reynaud -- Audio time compansion for studio and performance sychronzation / Marc LoCascio -- The dysfunctions of MIDI 7 F. Richard Moore -- Soud synthesis by physical models: application to strings / Jean Marie Adrien, Rene Causse and Xavier Rodet -- From small beginnings / Lucy K. Kitching -- Principal components analysis and resynthesis of spectral cues to perceived direction / William L. Martens -- A microcomputer-based analysis/resynthesis scheme for processing sampled sounds using FM / Russel G. Payne -- PARSHL: an analysis/synthesis program for non-harmonic sounds based on a sinusoidal representation / Julius O. Smith and Xavier Serra -- Computer printing, storage and transfer of musical scores / Gerard Assyag and Dan Timis -- ORPHEUS: a music notation program / Diane J. Cook -- Data structures in the note processor / J- Stephen Dydo -- Towards an extensible data structure for the representation of music on computers / John Free -- Issues in the design of a music notation system / Keith A. Hamel -- Highe quality music notation: interactive editing and input by piano keyboard / Giovanni Müller and Raffaello Giulietti -- Personal-computer microworlds for learning about signals and sound / Mark Dolson, Abe Singer and David Rivas -- PRECOMP/GT - a graphic tool for learning topics in computer-assisted composition l/ Richard Kufrin -- Design of an intelligent tutoring system in harmony / Linda B. Sorisio -- Computer music and human engineering: the making of ”Labyrinth” / David Keane

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