MP1 revisited: Aga Matter for piano and tape / Sever Tipei {u2013} Temporal-gestalt segmentation {u2013} extensions for compound monophonic and simple polyphonic musical contexts: appl. To works by Cage, Boulez, Babbitt, Xenakis and Ligeti / ayoi Uno, Roland Hübscher {u2013} Physical models for music and animated image ; the use of CORDIS-ANIMA in Esquisses, a music film by ACROE / Claude Cadoz, Annie Luciani, Jean-Loup Florens a music film by ACROE {u2013} The computer music world view: sketch of an ethnomusicological and aesthetic approach / Evan Chambers {u2013} The extended environment / John Young {u2013} Novelty, progress and research method in computer music composition / Jeff Pressing {u2013} Local / field: towards a typology of live electroacoustic music / Simon Emmerson {u2013} Modeling the influence of pitch duration on the induction of tonality from pitch-use / Niall Griffith {u2013} Computer-assisted training of timbre perception skills / René Quesnel {u2013} Timbre characterization with Mel-Cepstrum and neural nets / Giovanni de Poli, Piero Cosi, Paolo Prandoni {u2013} Loudness of musical sounds in reverberant environment / Jan Chomyszyn {u2013} A visual model for embedded chroma spaces: theory and software applications / Enrique Moreno {u2013} Kant: a critique of pure quantification / Gerard Assayag, Carlos Agon, Joshua Fineberg, Camilo Rueda {u2013} Pattern processing in music / Robert Rowe, Tang-Chun Li {u2013} Automating ensemble performance / Lorin Grubb, Roger B. Danenberg {u2013} Adaptive karaoke system: human singing acompaniment base on speech recognition / Wataru Inoue, Shuji Hashimoto {u2013} Foot-tapping: a brief introduction to beat induction / Peter Desain, Henkjan Honing {u2013} Rulebased models of initial beat induction and an analysis of their behaviour / Peter Desain, Henkjan Honing {u2013} A model of beat induction accounting for perceptual ambiguity by continuously variable parameters / Richard Parncutt {u2013} Rhythm tracking using multiple hypotheses / David Rosenthal, Masataka Goto, Yoichi Muraoka {u2013} An auditory {u2013} motor model of beat induction / Neil P. McAngus Todd, Chris Lee {u2013} The resonant dynanics of beat tracking and meter perception / Edward W. Large {u2013} Advanced issues in beat induction modeling: syncopation, tempo and timing / Peter Desain, Henkjan Honing {u2013} Learning expression at multiple structural levels / Gerhard Widmer {u2013} The RUBATO performance workstation on NeXTSTEP / Guerino Mazzola, Oliver Zahorka {u2013} Neural networks vs. rules system: evaluation test of automatic performance of musical scores / Roberto Bresin, Giovanni de Poli, Giovanni U Battel, Alvise Vidolin {u2013} Evaluations of artificial-neural-network types for the determination of pitch / Ian Taylor, Mike Greenhough {u2013} Melonet: neural networks that learn harmony-based melodic variation / Johannes Feulner, Dominik Hörnel {u2013} The detection of rhythmic repetition using a self-organising neural network /Simon Roberts, Mike Greenhough {u2013} A rhythm perception model by neural rhythm generators L/ Ken-ichi Ohya {u2013} GenJam: a genetic algorithm for generating jazz regulation / John Biles {u2013} Genetic algorithms as a method for granular synthesis regulation / Ichiro Fujinaga, Jason Vantomme {u2013} Generating rhythms with genetic algorithms / Damon Horowitz {u2013} Toward a new model of performance / Mon-chu Chen {u2013} A meta trumpet(er) / Jonathan Impett {u2013} Adaptive timbre control system using gesture / Pitoyo Hartono, Kazumi Asano, Wataru Inoue, Shuji Hashimoto {u2013} An evaluation of input devices for use in the ISEE human-synthesizer interface / Roel Vetegaal, Barry Eaglestone, Michael Clarke {u2013} The aXiØ MIDI controler / Brad Cariou {u2013} The virtual piano action: design and implementation / Brent Gillespie {u2013} The use of active tactile and force feedback in timbre controlling electronic instruments / Bert Bongers {u2013} Live performance and virtuosic pitch-bend technique for the synthesizer / Stuart Favilla {u2013} The LDR controller / Stuart Favilla {u2013} The MIDI time clip: a performer/machine synchronization system for live performance / Bruce Pennycook, Dale Stammen {u2013} Using hyper instruments for the redistribution of the performance control interface / Tim Anderson, Debbie Hearn {u2013} Dynamic intonation for keyboard instruments / Roger Munck-Fairwood {u2013} Motographicon: a system for computer choreography / Peeter Rajka, Tamas Ungvary {u2013} A virtual piano concerto {u2013} coupling of the Mathews/Boie radio drum and the Yamaha diskavier grand piano in The seven wonders of the ancient world / David A. Jaffe, Andrew Schloss {u2013} Demonstration of gesture sensors for the Shakuhachi / Haruhiro Katyose, Tsutomu Kanamori, Satoshi Shimura, Seiji Inokuchi {u2013} The SoundLab: a wearable computer music instrument / Steven Curtin {u2013} Formal processes of timbre composition challenging the dualistic paradigm of computer music Agostino Di Scipio -- Algorithms adapted from chaos theory: compositional considerations / James Harley {u2013} The Morpho Concepts: trends in a software for acousmatic music composition / Daniel Teruggi {u2013} A common Lisp interface for dynamic patching with the IRCAM signal processing workstation L/ Thomas Hummel {u2013} Design and implementation of an object-oriented media composition framework / Philipp Ackermann

Musik- och teaterbiblioteket: Klassifikation, ämnesord och genre genererade från EMS hylluppställning