Sound in Context: Soundscape Research and Composition at Simon Fraser University / Barry Truax -- Towards an Electroacoustic Tradition / Alessandro Cipriani -- For an Intelligent Use of Computers in Music Composition / Sever Tipei -- A Survey of Gender Issues Related to Computer Music and Strategies for Change / Mary Simoni -- The Algorithmic Muse: New Listening Paradigms and the Harmonies of Chaos / Kevin Jones -- CCRMA Studio Report / Fernando Lopez-Lezcano -- The International Digital Electroacoustic Music Archive / Marcia L. Bauman, Thomas Gerwin -- The Institute of Electroacoustics and Experimental Music at the Vienna University of Music / Tamas Ungvary, Peter Mechtler -- The Electro-acoustic Music Studio at the Royal Academy of Music, Copenhagen / Ivar Frounberg -- Computer Music Studios at Michigan State University / Mark Sullivan -- Computer Music at the University of Bradford / Anna I. Katrami, Peter J. Comerford, Barry M. Eaglestone -- Audio Game Interactive Performance / Silvia Matheus, Tom Keller -- A Physical Model of Recorder-Like Instruments / M. P. Verge, R. Caussé, A. Hischberg -- Experiments with Chaotic Oscillators / Richard Dobson, John Fitch -- Chaotic Predictive Modelling of Sound / J. P. Mackenzie -- Adding Vortex Noise to Wind Instrument Physical Models / Chris Chafe -- SynthBuilder Demonstration - A Graphical Real-Time Synthesis, Processing and Performance System / Nick Porcaro, Pat Scandalis, Julius Smith, David Jaffe, Tim Stilson -

- The FCurve Sound Generator with Granular Synthesis / Mara Helmuth, Aladin Ibrahim -- Toward Modular, Portable, Real-Time Software / Roger B. Dannenberg, Dean Rubine -- Visual Programming in Music / Gérard Assayag -- The IRCAM Real-Time Platform and Applications / François Déchelle, Maurizio de Cecco -- Score Views - An Object-Oriented Approach to a Graphical Computer Music Synthesis Environment / Brett Terry -- State Space Sound Synthesis and a State Space Sythensiser Builder / P. Depalle, S. Tassart -- Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis Methods / Eric Incerti, Claude Cadoz -- PadMaster: An Improvisation Environment for Real Time Performance / Fernando Lopez-Lezcano -- An Improvisational Accompaniment System Observing Performer's Musical Gesture / Yushi Aono, Haruhiro Katayose, Seiji Inokuchi -- A Hierarchical System for Controlling Synthesis by Phyical Modeling / Perry R. Cook -- General Wierdness with the Karplus-Strong String / Tim Stilson -- Super-Spherical Wave Simulation in Flaring Horns / David Berners, Julius O. Smith, III -- A Physical String Model with a Twist / Steven D. Trautmann -- MIDIVERSO: A Virtual Reality Music Installation / Juan Antonio Lleó, Andrés Loiseau Lazarte, Roger Gilabert -- A New Algorithm for Horizontal Spacing of Printed Music / Lippold Haken, Dorothea Blostein -- Vertically Read Notation / Stephan Dunkelman -- A Computer Music System for Hierarchical Sound Construction / David P. Chapman -- Software Compressor for Computer Music Applications / Steve Netherton, Gary S. Kendall -- Computer Music Workstations I Have Known and Loved / Stephen Travis Pope -- On Perfoming a Listener: What is Missing, Paganini? / Insook Choi -- Male and Female Voices in Computer Music / Hannah Bosma -- Music, Sculpture, Light and Text: A Study in Installation Art / Charles Bestor -- Computer Music Across Disciplines in an Undergraduate Curriculum / Brian Evans -- The Cincinnati Conservatory of Music, Computer Music Studio / Brad Garton, Terence Pender, Doug Geers -- NoTAM Studio Report / J{u01FF}ran Rudi -- The Centro Tempo Reale / Nicola Bernardini -- The POOLman Project / Nicola Bernardini, Graziano Tisato, Michele Manfrin -- Bandwidth Enhanced Sinusoidal Modeling in Lemur / Kelly Fitz, Lippold Haken -- Lemur - A Tool for Timbre Manipulation / Kelly Fitz, Lippold Haken, Bryan Holloway -- Real-Time Timbre Modificiations Using Sinusoidal Parameter Streams / Lippold Haken -- Interactive Works: New Problems and Potentials / Stephen Horenstein -- An Automatic Jazz Accompaniment System Reacting to Solo / Isao Hidaka, Masataka Goto, Muraoka -- Score Following Using the Sung Voice / Miller Puckette -- Real-Time Sound Hybridization / Nicola Bernardini, Alvise Vidolin -- A Demonstration of the aXi{u01FF} Controller / Brad Cariou -- Conductor Following / Bennett Brecht, Guy E. Garnett -- Using a Grammar for a Reliable Full Score Recognition System, Bertrand Coüasnon, Bernard Rétif -- Music Library of the Future: A Pilot Project / Bruce Pennycook -- Audio Analysis for Content-Based Retrieval / Douglas Keislar, Thom Blum, James Wheaton, Erling Wold -- PrediBase - Controlling Semantics of Symbolic Structures in Music / Oliver Zahorka -- One and Two Mass Model Oscillations for Voice and Instruments / X. Rodet -- Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters / Andrew Horner, Ngai-Man Cheung, James Beauchamp -- The Clavette: A Generalized Microtonal MIDI Keyboard Controller / Harold Foruin -- A Touch Sensitive Dance Floor/MIDI Controller / Russell Pinkston, Jim Kerkhoff, Mark McQuilken -- Partial-Balancing Instruments with Dynamically Refreshed Wavetables / Richard Orton, Ross Kirk, Andy Hunt -- Intuitive and Dynamic Control of Synthesized Sounds by Voice / I.S. Gibson, D.M. Howard -- CSOUND Granular Synthesis Unit Generator / Allan S. C. Lee -- Cellular Automata Synthesis of Acoustic Particles / Eduardo Reck Miranda -- Optimizing Software Synthesis Performance / Nicholas Thompson, Roger B. Dannenberg -- Predicting Chords in Jazz / Belinda Thom, Roger Dannenberg -- Composing Interactive Music: A Pedagogical Approach to Teaching Interactive Composition / Todd Winkler -- The Infinite Delay Line: Granulation as an In-Line Effect / Russell Ovans, David Murphy, Timothy Bartoo -- Toward a CLM Sound Localization Instrument Employing Modified Wavefront Reconstruction / Steven D. Trautmann -- Interactive Dance/Music Systems / Antonio Camurri -- The Sentograph: Input Devices and the Communication of Bodily Expression / Roel Vertegaal, Tamas Ungvary -- Gesture Analysis Using 3D Acceleration Sensor for Music Control / Hideyuki Sawada, Shin{u2019}Ya Ohkura, Shuji Hashimoto -- Making Motion Musical: Gesture Mapping Strategies for Interactive Computer Music / Todd Winkler -- Sensor Integration for Interactive Digital Art / Tsutomu Kanamori, Haruhiro Katayose, Yushi Aono, Seiji Inokuchi, Takashi Sakaguchi -- Department of Music, University of California, San Diego / Peter Otto, Miller Puckette -- An Integrated Environment for Music Education / Stephen Arnold, Celia Duffy -- iEAR Studios Rensselaer Polytechnic Institute / Christopher Dobrian -- Multi-Participant Interactive Music Services / S. Arnold, D. R. Mcauley, K. C. Sharman -- 3-D Sound Demonstration: "Sex/Windows" / Gary S. Kendall -- Aspects of Pitch-Tracking and Timbre Separation: Feature Detection in Digital Audio Using Adapted Local Trigonometric Bases and Wavelet Packages / Igor Popovic, Ronald Coifman, Jonathan Berger -- A Least-Square Algorithm for Fundamental Frequency Estimation / Andrew Choi -- A Two-Stage Automatic Adaptive Process to Remove Noise from an Audio Signal / Jonathan Berger, Maxim J. Goldberg, Ronald R. Coifman -- IANA: A Real-Time Environment for Analysis and Extraction of Frequency Components of Complex Orchestral Sounds and its Application within a Musical Realization / Todor Todoroff, Eric Daubresse, Joshua Fineberg --

Musik- och teaterbiblioteket: Klassifikation, ämnesord och genre genererade från EMS hylluppställning