Proceedings / International Computer Music Conference 1997 : Thessaloniki, Hellas, 25-30 September, 1997 ; [edited by Thanassis Rikakis and Perry R. Cook]
Utgivning: San Francisco : International Computer Music Association, 1997Beskrivning: xviii, 492 sGenre/Form: DDK-klassifikation:- 786.7 23/swe
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| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Elektronmusikstudion EMS | EMS : A5 ICMC 1997 | Available (Längre framtagningstid / Longer processing time) | 26201827773 |
Music and emotion: the brain neglected side, Isabelle Peretz, Lise Gagnon, Bernard Bouchard -- Psychophysiology of Musical Emotions, Carol L. Krumhansl -- Rhythmic Paradoxes and Illusions: a Musical Illustration, Jean-Claude Risset -- Preliminary Results on Spectral Shape Perceptions and Discrimination of Musical Sounds by Normal Hearing Subjects and Cochlear Implantees, Thomas H. Stainsby, Hugh J. McDermott, Colette M. McKay, Graeme M. Clark -- Modeling piano performance: Physics and cognition of a virtual pianist, Richard Pamcutt -- Perception and Critique: Ecological Acoustics, Critical Theory and Music, Eric Clarke -- A Neural Network Model of Metric Perception and Cognition in the Audition of Functional Tonal Music, Jonathan Berger, Dan Gang -- Harmonizing Melodies in Real-Time: the Connectionist Approach, Dan Gang, Daniel Lehmann, Naftali Wagner -- Influence of phase effects on roughness modeling, Daniel Pressnitzer, Stephen McAdams -- Sinusoidal and Residual Decomposition and Residual Modeling of Musical Tones Using the QUASAR Signal Model, Yinong Ding, Xiaoshu Qian -- Statistical Modeling of Sound Aperiodicities, Schlomo Dubnov, Xavier Rodet -- Analysis and Regularization of Inharmonic Sounds via Pitch-Synchronous Frequency Warped Wavelets, Gianpaolo Evangelista, Sergio Cavaliere -- About this phasiness business, Jean Laroche, Mark Dolson -- On Acoustic Ecology and "Integral Art", Thomas Gerwin -
- Towards a critical theory of (music) technology: Computer music and subversive rationalization, Agostino Di Scipio -- Impact of MIDI on Electroacoustic Art Music, Alex Lane Igoudin -- Computer Music Compositional Style Variation Between Genders and the Role of Education, Karen Eliot-Kahn -- http://Web.La.Radia: Comments on the Social, Economic, and Political Aspects of Media Art and Art Technology, Stephen Travis Pope -- Music, Media and Technology at McGill University: Studio Report, Bruce Pennycook -- Open SoundControl: A New Protocol for Communicating with Sound Synthesizers, Matthew Wright, Adrian Freed -- Multimedia Environment for Sound Database System, Hai Qi, Taichi Muramatsu, Shuji Hashimoto -- Composition of Data and Process Models: a Paralogical Approach to Human/Computer Interaction, Michael Hamman -- Analysis by synthesis of the expressive intentions in musical performance, Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin -- A Structural Analysis Tool for Expressive Performance, Yuichi Uwabu, Haruhiro Katayose, Seiji Inokuchi -- Classification in Music: A Computational Model for Paradigmatic Analysis, Christina Anagnostopoulou, Gert Westermann -- Two Highly Integrated Real-Time Music and Graphics Performance Systems, Robert Rowe, Eric L. Singer -- A Gesture Interface Controlled by the Oral Cavity, Nicola Orio -- Statistical Pattern Recognition for Prediction of Solo Piano Performance, Chris Chafe -- The Beast's glove: The tactile and the digital in computer music, Dominique Richard -- Integrating complementary spectral models in the design of a musical synthesizer, Xavier Serra, Jordi Bonada, Perfecto Herrera, Ramon Loureiro -- Modeling Methods for Sound Synthesis. Network Combinations and Complex Models for Physical Modeling: Application to Modes Clustering, Eric Incerti -- Transient Modeling Synthesis: a flexible analysis/synthesis tool for transient signals, Tony S. Verma, Scott N. Levine, Teresa H. Y. Meng -- Singing Voice Analysis and Synthesis System through Glottal Excited Formant Resonators, Piero Pierucci, Andrea Paladin -- Physical model of the plucking process in the classical guitar, Guiseppe Cuzzocoli, Vincenzo Lombardo -- Comparison of Real Trumpet Playing, Latex Model of Lips and Computer Model, C. Vergez, X. Rodet -- Synthesis of Transients in Guitar Sounds, Cern I. Duruöz -- On Searching the Model Parameters Of Digital Waveguide Filters By Using Error Backpropagation Methods, Alvin W.Y. Su -- Digital Waveguide Modeling of Flared Acoustical Tubes, Maarten van Walstijn, Vesa Vôlimôki -- Efficient and Parametric Reverberator for Room Acoustics Modeling, Riitta Vôônônen, Vesa Vôlimôki, Jyri Huopaniem, Matti Karjalainen -- An HTTP Interface to Common Music, Heinrich Taube, Tobias Kunze -- Siren: Software for Music Composition and Performance in Squeak
Musik- och teaterbiblioteket: Klassifikation, ämnesord och genre genererade från EMS hylluppställning