Proceedings / International Computer Music Conference 1997 : Thessaloniki, Hellas, 25-30 September, 1997 ; [edited by Thanassis Rikakis and Perry R. Cook]

Av: Medverkande: Utgivning: San Francisco : International Computer Music Association, 1997Beskrivning: xviii, 492 sGenre/Form: DDK-klassifikation:
  • 786.7 23/swe
SAB-klassifikation:
  • Iji
Innehåll:
Music and emotion: the brain neglected side, Isabelle Peretz, Lise Gagnon, Bernard Bouchard -- Psychophysiology of Musical Emotions, Carol L. Krumhansl -- Rhythmic Paradoxes and Illusions: a Musical Illustration, Jean-Claude Risset -- Preliminary Results on Spectral Shape Perceptions and Discrimination of Musical Sounds by Normal Hearing Subjects and Cochlear Implantees, Thomas H. Stainsby, Hugh J. McDermott, Colette M. McKay, Graeme M. Clark -- Modeling piano performance: Physics and cognition of a virtual pianist, Richard Pamcutt -- Perception and Critique: Ecological Acoustics, Critical Theory and Music, Eric Clarke -- A Neural Network Model of Metric Perception and Cognition in the Audition of Functional Tonal Music, Jonathan Berger, Dan Gang -- Harmonizing Melodies in Real-Time: the Connectionist Approach, Dan Gang, Daniel Lehmann, Naftali Wagner -- Influence of phase effects on roughness modeling, Daniel Pressnitzer, Stephen McAdams -- Sinusoidal and Residual Decomposition and Residual Modeling of Musical Tones Using the QUASAR Signal Model, Yinong Ding, Xiaoshu Qian -- Statistical Modeling of Sound Aperiodicities, Schlomo Dubnov, Xavier Rodet -- Analysis and Regularization of Inharmonic Sounds via Pitch-Synchronous Frequency Warped Wavelets, Gianpaolo Evangelista, Sergio Cavaliere -- About this phasiness business, Jean Laroche, Mark Dolson -- On Acoustic Ecology and "Integral Art", Thomas Gerwin -
- Towards a critical theory of (music) technology: Computer music and subversive rationalization, Agostino Di Scipio -- Impact of MIDI on Electroacoustic Art Music, Alex Lane Igoudin -- Computer Music Compositional Style Variation Between Genders and the Role of Education, Karen Eliot-Kahn -- http://Web.La.Radia: Comments on the Social, Economic, and Political Aspects of Media Art and Art Technology, Stephen Travis Pope -- Music, Media and Technology at McGill University: Studio Report, Bruce Pennycook -- Open SoundControl: A New Protocol for Communicating with Sound Synthesizers, Matthew Wright, Adrian Freed -- Multimedia Environment for Sound Database System, Hai Qi, Taichi Muramatsu, Shuji Hashimoto -- Composition of Data and Process Models: a Paralogical Approach to Human/Computer Interaction, Michael Hamman -- Analysis by synthesis of the expressive intentions in musical performance, Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin -- A Structural Analysis Tool for Expressive Performance, Yuichi Uwabu, Haruhiro Katayose, Seiji Inokuchi -- Classification in Music: A Computational Model for Paradigmatic Analysis, Christina Anagnostopoulou, Gert Westermann -- Two Highly Integrated Real-Time Music and Graphics Performance Systems, Robert Rowe, Eric L. Singer -- A Gesture Interface Controlled by the Oral Cavity, Nicola Orio -- Statistical Pattern Recognition for Prediction of Solo Piano Performance, Chris Chafe -- The Beast's glove: The tactile and the digital in computer music, Dominique Richard -- Integrating complementary spectral models in the design of a musical synthesizer, Xavier Serra, Jordi Bonada, Perfecto Herrera, Ramon Loureiro -- Modeling Methods for Sound Synthesis. Network Combinations and Complex Models for Physical Modeling: Application to Modes Clustering, Eric Incerti -- Transient Modeling Synthesis: a flexible analysis/synthesis tool for transient signals, Tony S. Verma, Scott N. Levine, Teresa H. Y. Meng -- Singing Voice Analysis and Synthesis System through Glottal Excited Formant Resonators, Piero Pierucci, Andrea Paladin -- Physical model of the plucking process in the classical guitar, Guiseppe Cuzzocoli, Vincenzo Lombardo -- Comparison of Real Trumpet Playing, Latex Model of Lips and Computer Model, C. Vergez, X. Rodet -- Synthesis of Transients in Guitar Sounds, Cern I. Duruöz -- On Searching the Model Parameters Of Digital Waveguide Filters By Using Error Backpropagation Methods, Alvin W.Y. Su -- Digital Waveguide Modeling of Flared Acoustical Tubes, Maarten van Walstijn, Vesa Vôlimôki -- Efficient and Parametric Reverberator for Room Acoustics Modeling, Riitta Vôônônen, Vesa Vôlimôki, Jyri Huopaniem, Matti Karjalainen -- An HTTP Interface to Common Music, Heinrich Taube, Tobias Kunze -- Siren: Software for Music Composition and Performance in Squeak
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : A5 ICMC 1997 Available (Längre framtagningstid / Longer processing time) 26201827773
Total holds: 0

Music and emotion: the brain neglected side, Isabelle Peretz, Lise Gagnon, Bernard Bouchard -- Psychophysiology of Musical Emotions, Carol L. Krumhansl -- Rhythmic Paradoxes and Illusions: a Musical Illustration, Jean-Claude Risset -- Preliminary Results on Spectral Shape Perceptions and Discrimination of Musical Sounds by Normal Hearing Subjects and Cochlear Implantees, Thomas H. Stainsby, Hugh J. McDermott, Colette M. McKay, Graeme M. Clark -- Modeling piano performance: Physics and cognition of a virtual pianist, Richard Pamcutt -- Perception and Critique: Ecological Acoustics, Critical Theory and Music, Eric Clarke -- A Neural Network Model of Metric Perception and Cognition in the Audition of Functional Tonal Music, Jonathan Berger, Dan Gang -- Harmonizing Melodies in Real-Time: the Connectionist Approach, Dan Gang, Daniel Lehmann, Naftali Wagner -- Influence of phase effects on roughness modeling, Daniel Pressnitzer, Stephen McAdams -- Sinusoidal and Residual Decomposition and Residual Modeling of Musical Tones Using the QUASAR Signal Model, Yinong Ding, Xiaoshu Qian -- Statistical Modeling of Sound Aperiodicities, Schlomo Dubnov, Xavier Rodet -- Analysis and Regularization of Inharmonic Sounds via Pitch-Synchronous Frequency Warped Wavelets, Gianpaolo Evangelista, Sergio Cavaliere -- About this phasiness business, Jean Laroche, Mark Dolson -- On Acoustic Ecology and "Integral Art", Thomas Gerwin -

- Towards a critical theory of (music) technology: Computer music and subversive rationalization, Agostino Di Scipio -- Impact of MIDI on Electroacoustic Art Music, Alex Lane Igoudin -- Computer Music Compositional Style Variation Between Genders and the Role of Education, Karen Eliot-Kahn -- http://Web.La.Radia: Comments on the Social, Economic, and Political Aspects of Media Art and Art Technology, Stephen Travis Pope -- Music, Media and Technology at McGill University: Studio Report, Bruce Pennycook -- Open SoundControl: A New Protocol for Communicating with Sound Synthesizers, Matthew Wright, Adrian Freed -- Multimedia Environment for Sound Database System, Hai Qi, Taichi Muramatsu, Shuji Hashimoto -- Composition of Data and Process Models: a Paralogical Approach to Human/Computer Interaction, Michael Hamman -- Analysis by synthesis of the expressive intentions in musical performance, Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin -- A Structural Analysis Tool for Expressive Performance, Yuichi Uwabu, Haruhiro Katayose, Seiji Inokuchi -- Classification in Music: A Computational Model for Paradigmatic Analysis, Christina Anagnostopoulou, Gert Westermann -- Two Highly Integrated Real-Time Music and Graphics Performance Systems, Robert Rowe, Eric L. Singer -- A Gesture Interface Controlled by the Oral Cavity, Nicola Orio -- Statistical Pattern Recognition for Prediction of Solo Piano Performance, Chris Chafe -- The Beast's glove: The tactile and the digital in computer music, Dominique Richard -- Integrating complementary spectral models in the design of a musical synthesizer, Xavier Serra, Jordi Bonada, Perfecto Herrera, Ramon Loureiro -- Modeling Methods for Sound Synthesis. Network Combinations and Complex Models for Physical Modeling: Application to Modes Clustering, Eric Incerti -- Transient Modeling Synthesis: a flexible analysis/synthesis tool for transient signals, Tony S. Verma, Scott N. Levine, Teresa H. Y. Meng -- Singing Voice Analysis and Synthesis System through Glottal Excited Formant Resonators, Piero Pierucci, Andrea Paladin -- Physical model of the plucking process in the classical guitar, Guiseppe Cuzzocoli, Vincenzo Lombardo -- Comparison of Real Trumpet Playing, Latex Model of Lips and Computer Model, C. Vergez, X. Rodet -- Synthesis of Transients in Guitar Sounds, Cern I. Duruöz -- On Searching the Model Parameters Of Digital Waveguide Filters By Using Error Backpropagation Methods, Alvin W.Y. Su -- Digital Waveguide Modeling of Flared Acoustical Tubes, Maarten van Walstijn, Vesa Vôlimôki -- Efficient and Parametric Reverberator for Room Acoustics Modeling, Riitta Vôônônen, Vesa Vôlimôki, Jyri Huopaniem, Matti Karjalainen -- An HTTP Interface to Common Music, Heinrich Taube, Tobias Kunze -- Siren: Software for Music Composition and Performance in Squeak

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