Proceedings / Music, music science : Stockholm 28-30 october 2004 : [edited by William Brunson and Johan Sundberg].

Lars-Gunnar Bodin: The magic of the live performance – myth or reality -- Johan Sundberg: Expression in music: comparing vocal and instrumental performance -- Örjan Sandred: Interpretation of everyday gestures – composing with rules -- Antonio Camurri, Ginevra Castellano, Barbara Mazzarino, Giovanna Varni, and Gualtiero Volpe: Expressive gesture analysis and expressive gestural control strategies -- Anders Friberg: A fuzzy analyzer of emotional expression in music performance and body motion -- Jon Appleton: A Vision of the Future: Musical Delivery Systems in the Mid 21st Century -- Carol L. Krumhansl and David G. Rand: A proto-music theory from unsupervised learning -- David Temperley: Unlocking the Secrets of Key: Using the Key-Profile Model to Explain Aspects of Compositional Practice and Perception -- Fredrik Hedelin: Turning score-following into music-following -- Annette Vande Gorne: ‘Ce qu’a vu le vent d’Est‘ d’après Debussy: Compositional Strategies -- Gunnar Valkare: The Ages of Music -- David Huron: The Plural Pleasures of Music -- Natasha Barrett: Composition, performance and spatial hearing -- Curtis Roads: New developments in sound synthesis. Analysis, and visualization based on Gabor's model -- Sven Ahlbäck: ”Is the swing in the melody?” Metrical analysis within a general model of melody cognition -- Emilios Cambouropoulos: Musical Parallelism and Melodic segmentation: A Computational Approach (Printed with kind permission of Music Perception) -- William Brunson: How True is True? - Reflections on Art, Science, Accuracy and Illusion

Musik- och teaterbiblioteket: Klassifikation, ämnesord och genre genererade från EMS hylluppställning