Expressionism and its deformation in contemporary Chinese theatre / Yuwen Hsiung
Serie: Asian thought and culture ; 63Utgivning: New York : Peter Lang, 2014Beskrivning: 146 s. : illISBN:- 978-1-4331-0535-7
- 895.12509115 23/swe
- Goea.02
- Ikb-oea
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Magasin A | C13.492 | 1 | Available | 26201836817 |
Innehåller bibliografiska referenser
Introduction: after Cao Yu -- Expressionism then and now -- The influx of expressionism in the post-Maoist theatre: Gao Zingjian's trilogy -- Under the web of realism: Lin Zhaohua's Uncle Doggie{u2019}s nirvana -- "Scream" from the soul: Huang Zuolin{u2019}s China dream -- Trans-expressionism -- Emotion, visuality, subjectivity: Meng Jinghui's Rhinoceros in love -- A white camellia beyond signs confusion: Stan Lai's Secret love -- Smirking at semiotic representation -- Postcript: writing about yourself.