Women, the recited Qur'an and Islamic music in Indonesia / Anne K. Rasmussen.

Av: Språk: Engelska Utgivning: Berkely : University of Californa Press, 2010Beskrivning: xx, 312 s. ill., musiknoterISBN:
  • 9780520255494
Ämne: DDK-klassifikation:
  • 781.7008209598 23/swe
SAB-klassifikation:
  • Ijb-oda
  • Ijsbd
  • Ijv
Innehåll:
Setting the scene -- Hearing Islam in the atmosphere -- Learning recitation : the institutionalization of the recited Qur'an -- Celebrating religion and nation : the festivalization of the Qur'an -- Performing piety through Islamic musical arts -- Rethinking women, music, and Islam
Sammanfattning: Women, the recited Qur'an and Islamic music in contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an and where an extraordianry diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful role of music in the expression of reliogious nationalism
Holdings
Item type Current library Call number Materials specified Copy number Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket Magasin A C13.520 1 Available 26201837224
Total holds: 0

Innehåller bibliografi och index

Setting the scene -- Hearing Islam in the atmosphere -- Learning recitation : the institutionalization of the recited Qur'an -- Celebrating religion and nation : the festivalization of the Qur'an -- Performing piety through Islamic musical arts -- Rethinking women, music, and Islam

Women, the recited Qur'an and Islamic music in contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an and where an extraordianry diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful role of music in the expression of reliogious nationalism

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