Interviews -- Interview with Max Mathews / Curtis Roads -- A Conversation with James A. Moorer / Curtis Roads -- A Conversation with Clarence Barlow / Stephan Kaske -- Interview with Paul Lansky / Curtis Roads -- Interview with David Rosenboom / Larry Polansky -- Interview with Roger Reynolds, Joji Yuasa, and Charles Wuorinen / Richard Boulanger -- Composition -- Computer Music Experiments 1964- ... / Jean-Claude Risset -- Composing with Computers: A Progress Report / Lejaren Hiller -- Mortuos Plango, Vivos Voco: A Realization at IRCAM / Jonathan Harvey -- Loudspeakers and Performers: Some Problems and Proposals / Dexter Morrill -- Dreamsong: The Composition / Michael McNabb -- Composition Theory in Koenig's Project One and Project Two / Otto Laske -- Automated Composition and Composed Automation / Giuseppe Englert -- Timbral Construction in Arras as a Stochastic Process / Barry Truax -- Interactive Composing: An Overview / Joel Chadabe -- The Making of Octuor / Horacio Vaggione -- Stylistic Automata in Gradient / Charles Ames -- Comments on University Instruction in Computer Music Composition / Jacques Arveiller -- The MIDI Interface -- Musicians Make a Standard: The MIDI Phenomenon / D. Gareth Loy -- Music and Microprocessors: MIDI and the State of the Art / Christopher Yavelow -- Music Software -- A Note on Music Printing by Computer / Curtis Roads -- Personal Composer / Jim Miller -- Scope in Interactive Score Editors / W. Buxton, S. Patel, W. Reeves, R. Baecker