A Procedural Control Language for a Digital Signal Processor / Paul Berg -- A Functional Approach to Real-Time Control / Roger B. Dannenberg, Paul McAvinney -- The M Orchestra Language / Miller Puckette -- Recur: Composition and Synthesis / Robert Rowe -- Score and/or Gesture: the System RTI4I for Real-Time Control of the Digital Processor 4I / Franco Azzolini, Sylviane Sapir -- Musical Sound Synthesis by Means of Two-Variable Functions: Experimental Criteria and Results / Aldo Borgonovo, Goffredo Haus -- Un Modele Informatique pour la Transformation Continue de Sons Inharmoniques / André Riotte -- A VLSI Approach to Sound Synthesis / John Wawrzynek, Carver Mead, Lin Tzu-Mu, Liu Hsui-Lin, Lounette Dyer -- Refinements in Phase-Vocoder-Based Modification of Music / Mark Dolson -- Sound Structuring Techniques Utilizing Parameters Derived from a Voice Analysis/Synthesis System / Gian A. Mian, Graziano Tisato -- Synthesis of Selected VCV-Syllables in Singing / Jan Zera, Jan Gauffin, Johan Sundberg -- Research on Morphological Similarities in Sound Signals Originated from Instrumental Sounds / Angeloni, Gabrielli, Giodani, Danti -- Frequency Dependent Waveshaping / Giovanni De Poli -- An Allpass Approach to Digital Phasing and Flanging, Julius O. Smith -- Simulating the Cues of Spatial Hearing in Natural Environments / Gary S. Kendall, William L. Martens -- Programmation du Processeur Numerique Temps Reel / 4X / Emmanuel Favreau, Andrew Gerzso, Patrick Potacsek -- Musical Recording, Editing, and Production Using the Compusonics DSP-2000 / John P. Stautner -- An Expert System for Schenkerian Synthesis of Chorales in the Style of J. S. Bach / Kemal Ebcioğlu -- AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools / Stephen McAdams, Serge Gladkoff, Jean-Pierre Keller -- Shaping A Compositional Network with Computer / Kaija Saariaho -- Operations on Timbre: Perspectives and Problems / Wayne Slawson -- Models of Interactive Composition with the DMX-1000 Digital Signal Processor / Barry Truax -- An Intelligent Ear-Training Lesson / Dorothy Gross -- Ensemble Timing in Computer Music / David A. Jaffe -- An On-Line Algorithm for Real-Time Accompaniment / Roger B. Dannenberg -- The Synthetic Performer in The Context of Live Performance / Barry Vercoe -- SINFONIE: Numerical Process Command with Gestual Input Control / Pierre-Alain Jaffrennou, Pierre Jaubert, Ludovic Champenois -- Hugh Le Caine's 1948 Sackbut Synthesizer: Performance Mode of Electronic Instruments / Gayle Young -- The Digital Piano and the Patch Control Language System / Richard Teitelbaum -- MOXIE: A Language for Computer Music Performance / D. J. Collinge -- Performance Rules for Melodies. Origin / Functions, Purposes, Lars Frydén, Johan Sundberg -- Secrets of Life in Music: Musicality Realised by Computer / Manfred Clynes -- A Data Structure for Computer Analysis of Musical Scores / Alexander R. Brinkman -- A Modular Approach to Sound Synthesis Software / Shawn L. Decker, Gary Kendall -- Toward A Device Independent Representation of Music / Lounette M. Dyer -- Music Editing and Graphics (MEG 1.00): A Personal Computer Based Operative System for Editing and Printing Musical Scores / Marco Minciacchi, Diego Minciacchi -- MLOGO: Un Langage de Programmation Orienté Composition Musicale / Yann Orlarey -- Time Management in Interactive Score Editing / Przemyslaw Prusinkiewicz -- Carnegie-Mellon University Studio Report / Roger B. Dannenberg, Paul McAvinney, Marilyn T. Thomas -- Centro Di Sonologia Computazionale C. S. C. University of Padova / G. B. Debiasi, G. De Poli, G. Tisato, A. Vidolin -- Societa' Di Informatica Musicale / L. Del Duca, F. Galante, M. Lupone, G. Nottoli, N. Sani -- The Computer Musical Compositions in Czechoslovakia / J. Gerbrich, R. Ruzicka, J. Stehlik -- Quarts in Pint Pots / Tristram Cary