The Premise Is That There Be Music / Herbert Brün -- The CARL Computer Music Workstation - an Overview / F. Richard Moore -- Designing an Operating Environment for a Realtime Performance Processing System / D. Gareth Loy -- A Cost Effective Input Processor-Pitch Detector for Electronic Violin / Andrew Voelkel -- User Software for Realtime Input by a Musical Instrument / Xavier Chabot -- Data Reduction of Musical Signals / Timothy A. Wilson -- Sound Synthesis by Hierarchic Sampling / Gary Schwartz -- Alias-Free Synthesis by Stochastic Sampling / Erling Henry Wold, Mark A. Z. Dippé -- A New Approach to Digital Reverberation Using Waveguide Networks / Julius O. Smith -- Recent Advances in Musique Concrète at CARL / Mark Dolson -- A Network Sound System for UNIX / James M. Roth, Gary S. Kendall, Shawn L. Decker -- A Unified Approach to the Editing of Time-Ordered Events / Shawn L. Decker, Gary S. Kendall -- The Synthesis of Complex Audio Spectra by Cheating Quite a Lot / Ian Bowler -- Physical Models of Instruments: A Modular Approach, Application to Strings / Jean-Marie Adrien, Xavier Rodet -- High Quality Synthesis-by-Rule of Consonants / Xavier Rodet, Phillippe Depalle -- Identity and Ambiguity: The Construction and Use of Trimbral Transitions and Hybrids / Jan Vandenheede, Jonathan Harvey -- A Low-Cost Development System for Digital Audio Signal Processing / Stephen F. Hoge, Anthony Agnello -- The Emulator II Computer Music Environment / Dana C. Massie -- Some Aspects of Sample Rate Conversion / Dave Rossum -- A Machine-Independent Sound Conversion/Storage System / Kurt J. Hebel -- The Use of Interpolating Memories for Music Processing by Microcomputer / Andrew Noetzel -- A Computer-Based Harmonic Analysis/Additive Synthesis System / L. Chouinard, L. N. Bélanger, H. T. Huynh -- Sound Kit: A Sound Manipulator / Mark Lentczner -- The Image and Audio Systems Audio Workstation / Bruce Pennycook, Jeffrey Kulick, Dave Dove -- A New Architecture for a Digital Sound Synthesizer / M. Rubbazzer, M. Santoiemma, G. A. Patella -- Music Synthesis by Simulation Using a General-Purpose Signal Processing System / John Kitamura, William Buxton, Martin Snelgrove, Kenneth C. Smith -- Music Applications for the MSSP System / John W. Gordon -- A Sine Generation Algorithm for VLSI Applications / John W. Gordon, Julius O. Smith -- Semiotics and Computer Music Composition / Nicola Bernardini -- Functional Integration of Complex Instrumental Sounds in Musical Writing / Claudy Malherbe, Gérard Assayag, Michèle Castellengo -- Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre Structures / J. B. Barrière, Y. Potard, P. F. Baisnée -- Architecture and Aesthetics: The Construction and the Objectives of Elektronikus Mozaïk / David Keane -- Exploring Language / Alcides Lanza -- Digital Transformations in 'Tides' / Denis Smalley -- Les Chants de l'Amour, a Piece for Computer Generated Tape and Mixed Choir / G. Grisey, J. B. Barrière, P. F. Baisnée -- A System for Interactive Music Composition through Computer Graphics / Frederick L. Malouf -- The Prefiguration of a Musical Composition: Model of a Computer Graphics Program / Theo Goldberg -- A Personal Computer, Musical Knowledge-Based System Using Active Objects / Stephen Morris -- HMSL (Hierarchical Music Specification Language): A Real-Time Environment for Formal, Perceptual and Compositional Experimentation / David Rosenboom, Larry Polansky -- Applications of Linked Data Structures to Automated Composition / Charles Ames -- Maiden Voyages - A Score Produced with MP1 / Sever Tipei -- Vivace: A Rule Based Al System for Composition / Marilyn Taft Thomas -- Synthetic Rehearsal: Training the Synthetic Performer / Barry Vercoe, Miller Puckette -- Real-Time Computer Accompaniment of Keyboard Performances / Joshua J. Bloch, Roger B. Dannenberg -- The Rolky: A Poly-Touch Controller for Electronic Music / Eric Johnstone -- The Development of a Practical Live-Performance Music Language / Martin Bartlett -- Some Technical and Aesthetic Considerations in Software for Live Interactive Performance / John Lifton -- Macintosh as a Live Performance Tool / Scot Gresham-Lancaster -- The Hands: A Set of Remote MIDI-Controllers / Michel Waisvisz -- Graphics Interfaces for MIDI-Equipped Synthesizers / Przemyslaw Prusinkiewicz -- Man-Machine Dialog using MIDI Files / Daniel Arfib -- MADDM -- Dance-Directed Music / Ross Gillett, Kenneth C. Smith, Bob Pritchard -- M.I.N.I. (Musical Instruments Numerical Interface) / Giovanni B. Debiasi -- Untitled: An Interactive Installation / Ronald Kuivila -- The Synchronization of Audio Production in Computer Music / Brian L. Schmidt, James M. Roth -- Orchestral Instruments: Analysis of Performed Transitions / John Strawn -- Palette: An Environment for Developing an Individualized Set of Psychophysically Scaled Trimbres / William L. Martens -- Qualities and Functions of Musical Timbre / Stephen McAdams, Kaija Saariaho -- Foundations for Artificial Intelligence Research of Western Tonal Music / Mira Balaban -- KSM: An Essay in Knowledge Representation in Music / Richard D. Ashley -- On Finding Rhythmic Patterns in Musical Lines / Bernard Mont-Reynaud, Mark Goldstein -- Techniques for Note Identification in Polyphonic Music / Chris Chafe, David Jaffe, Kyle Kashima, Bernard Mont-Reynaud, Julius Smith -- New Computer Music Facilities at the University of Illinois at Urbana-Champaign / James Beauchamp, Scot Aurenz -- The Electronic Music Studio at University College Cardiff / M. Greenhough, I. Bowler, S. Morris -- Recent Developments at the Center for Contemporary Music, Mills College / David Rosenboom, Larry Polansky -- Electronic and Computer Music at The Peabody Conservatory / Geoffrey Wright