The dispute about harmony c. 1500 and the creation of a new style / Bonnie J. Blackburn -- Minor coloration revisited : Okeghem's Ma bouche rit and beyond / Ronald Woodley -- On false concords in late fifteenth-century music : yet another look at Tinctoris / Margaret Bent -- La magie des cris trenchantz : comment le vray trésorier de musique échappe à la trappe du très terrible satrappe / Jaap Van Benthem -- Ballata form in the early madrigal / Marco Mangani, Michaela Zackova Rossi -- Philomena praevia de Jean Richafort : la complexité du modèle au défi de l'analyse / Alice Tacaille -- A newly recovered eight-mode motet cycle from the 1540s : Zarlino's Song of Songs motets / Cristle Collins Judd -- L'usage des dissonances dans la théorie du contrepoint de Juan Bermudo, Declaración de instrumentos musicales (1555) / Paloma Otaola -- Rhetorical functions of harmony and counterpoint in the theory and practice of Nicola Vicentino / Timothy R. McKinney -- Content and context : on public and private motet style in sixteenth-century Venice / Katelijne Schiltz -- A propos du motet Philomena praevia de Claude Le Jeune (Melanges de 1585) / Pierre Bonniffet -- Heinrich Schütz's Heu mihi, Domine : traditional and progressive attributes in the F-mode repertory / Graham H. Phipps -- Modes, clefs, and transpositions in the early seventeenth century / Rudolf Rasch