Poetry and music in medieval France : from Jean Renart to Guillaume de Machaut / Ardis Butterfield

Av: Medverkande: Serie: Cambridge studies in medieval literature ; 49Utgivning: Cambridge : Cambridge University Press, 2002Beskrivning: xx, 375 s. : illISBN:
  • 0-521-62219-0
  • 978-0-521-10092-2 (pbk)
Ämne: DDK-klassifikation:
  • 841.1 22
SAB-klassifikation:
  • Gj.3
  • Ijb-j.3
  • Ijqca-j
  • Gj.03
Innehåll:
Prologue ; Part I. Text and performance: 1. Song and written record in the early thirteenth century ; 2. The sources of song : chansonniers, narratives, dance-song ; 3. The performance of song in Jean Renart's Rose ; Part II. The boundaries of genre : 4. The refrain ; 5. Refrains in context : a case study; 6. Contrafacta : from secular to sacred in Gautier de Coinci and later thirteenth-century writing ; Part III. The location of culture: 7. 'Courtly' and 'popular' in the thirteenth century ; 8. Urban culture : Arras and the puys ; 9. The cultural contexts of Adam de la Halle ; Part IV. Modes of inscription: 10. Songs in writing : the evidence of the manuscripts ; 11. Chante/fable : Aucassin et Nicolette ; 12. Writing music, writing poetry : Le Roman de Fauvel in Paris BN fr. 146 ;Part V: Lyric and narrative: 13. The two Roses : Machaut and the thirteenth century ; 14. Rewriting song : chanson, motet, salut, and dit : 15. Citation and authorship from the thirteenth to the fourteenth century ; Part VI. Envoy: The new art : 16. The formes fixes : from Adam de la Halle to Guillaume de Machaut ; Epilogue
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B24.110 1 Available 26201073563
Total holds: 0

Tillgänglig som pbk ed. 2008

Prologue ; Part I. Text and performance: 1. Song and written record in the early thirteenth century ; 2. The sources of song : chansonniers, narratives, dance-song ; 3. The performance of song in Jean Renart's Rose ; Part II. The boundaries of genre : 4. The refrain ; 5. Refrains in context : a case study; 6. Contrafacta : from secular to sacred in Gautier de Coinci and later thirteenth-century writing ; Part III. The location of culture: 7. 'Courtly' and 'popular' in the thirteenth century ; 8. Urban culture : Arras and the puys ; 9. The cultural contexts of Adam de la Halle ; Part IV. Modes of inscription: 10. Songs in writing : the evidence of the manuscripts ; 11. Chante/fable : Aucassin et Nicolette ; 12. Writing music, writing poetry : Le Roman de Fauvel in Paris BN fr. 146 ;Part V: Lyric and narrative: 13. The two Roses : Machaut and the thirteenth century ; 14. Rewriting song : chanson, motet, salut, and dit : 15. Citation and authorship from the thirteenth to the fourteenth century ; Part VI. Envoy: The new art : 16. The formes fixes : from Adam de la Halle to Guillaume de Machaut ; Epilogue

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