Music in the mirror : reflections on the history of music theory and literature for the 21st century / edited by Andreas Giger and Thomas J. Mathiesen

Medverkande: Serie: Publications of the Center for the History of Music Theory and Literature ; 3Utgivning: Lincoln, Neb. : University of Nebraska Press, 2002Beskrivning: 331 s. : ill., musiknoterISBN:
  • 0-8032-3219-5
Ämne: DDK-klassifikation:
  • 781 21
SAB-klassifikation:
  • Ijaa:k
  • Ijb
  • Ij:df
Sammanfattning: Thirteen distinguished scholars explore the concept of music, music theory, and music literature as mirror images of one another - whether real or distorted. Encompassing the history of music and music theory and literature from the Middle Ages to the present, these essays in their reconsideration of the relationships among music, theory, and literature offer new approaches and compelling visions for future research. The contributors, whose work spans historical periods from the Middle Ages to the twentieth century, include Thomas Christensen (University of Chicago), Calvin M. Bower (University of Notre Dame), Margaret Bent (Oxford University), Anthony Newcomb (University of California, Berkeley), Tim Carter (University of North Carolina-Chapel Hill), John Walter Hill (University of llinois, Urbana-Champagne), Dan Harran (Hebrew University), Wye J. Allanbrook (University of California, Berkeley), Philip Gossett (University of Chicago), Lee Rothfarb (University of California-Santa Barbara), Robert P. Morgan (Yale University), David Neumeyer (University of Texas-Austin), and Lewis Rowell (Indiana University).
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Exemplartyp Aktuellt bibliotek Hyllsignatur Ex.nummer Status Streckkod
Bok Musik- och teaterbiblioteket Magasin A B25.784 1 Tillgänglig 26201811935
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Collection of articles first presented at a public conference held May 11-14, 2000, at Indiana University in Bloomington

Thirteen distinguished scholars explore the concept of music, music theory, and music literature as mirror images of one another - whether real or distorted. Encompassing the history of music and music theory and literature from the Middle Ages to the present, these essays in their reconsideration of the relationships among music, theory, and literature offer new approaches and compelling visions for future research. The contributors, whose work spans historical periods from the Middle Ages to the twentieth century, include Thomas Christensen (University of Chicago), Calvin M. Bower (University of Notre Dame), Margaret Bent (Oxford University), Anthony Newcomb (University of California, Berkeley), Tim Carter (University of North Carolina-Chapel Hill), John Walter Hill (University of llinois, Urbana-Champagne), Dan Harran (Hebrew University), Wye J. Allanbrook (University of California, Berkeley), Philip Gossett (University of Chicago), Lee Rothfarb (University of California-Santa Barbara), Robert P. Morgan (Yale University), David Neumeyer (University of Texas-Austin), and Lewis Rowell (Indiana University).

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