The cognitive neuroscience of music / edited by Isabelle Peretz and Robert J. Zatorre

Medverkande: Utgivning: Oxford : Oxford University Press, 2003Beskrivning: 452 s. ; illISBN:
  • 0-19-852520-6 (hft.)
  • 0-19-852519-2 (inb.)
Ämne: DDK-klassifikation:
  • 781.11 22
SAB-klassifikation:
  • Ij:do
  • Dod
Innehåll:
Part I. The origins of music: Sandra E. Trehub, Musical predispositions in infancy : an update -- Carolyn Drake and Daisy Bertrand, The quest for universals in temporal processing in music -- Jenny R. Saffran, Mechanisms of musical memory in infancy -- Ian Cross, Music, cognition, culture, and evolution -- David Huron, Is music an evolutionary adaptation? -- Part II. The musical mind: Stephen McAdams and Daniel Matzkin, The roots of musical variation in perceptual similarity and invariance -- Carol L. Krumhansl and Petri Toiviainen, Tonal cognition -- Barbara Tillmann, Jamshed J. Bharucha, and Emmanuel Bigand, Learning and perceiving musical structures : further insights from artificial neural networks -- Part III. The neurons of music: Mark Jude Tramo, Peter A. Cariani, Bertrund Delgutte and Louis D. Braida, Neurobiology of harmony perception -- Catherine Liegeois-Chauvel, Kimberly Giraud, Jean-Michel Badier, Patrick Marquis, and Patrick Chauvel, Intracerebral evoked potentials in pitch perception reveal a functional asymmetry of human auditory cortex -- Timothy D. Griffiths, The neural processing of complex sounds -- Part IV. Musical brain substrates: John C.M. Brust, Music and the neurologist : a historical perspective -- Isabelle Peretz, Brain specialization for music : new evidence from congenital amusia -- Severine Samson and Nathalie Ehrle, Cerebral substrates for musical temporal processes -- Andrea R. Halpern, Cerebral substrates of musical imagery -- Robert J. Zatorre, Neural specializations for tonal processing -- Lawrence M. Parsons, Exploring the functional neuroanatomy of music performance, perception, and comprehension -- Mireille Besson and Daniele Schön, Comparison between language and music -- Mari Tervaniemi, Musical sound processing : EEG and MEG evidence -- L. J. Trainor and L.A. Schmidt, Processing emotions induced by music -- Aniruddh D. Patel, A new approach to the cognitive neruscience of melody -- Eckart O. Altenmüller, How many music centres are in the brain? -- Part V. Musical expertise/brain plasticity: Joseph P. Rauschecker, Functional organisation and plasticity of auditory cortex -- Gottfried Schlaug, The brain of musicians -- C. Pantev, A. Engelien,V. Candia, and T. Elbert, Representational cortex in musicians -- Alvaro Pascual-Leone, The brain that makes music and is changed by it --Part VI. Relation of music to other cognitive domains: Fred Lerdahl, The sounds of poetry viewed as music -- E. Glenn Schellenberg, Does exposure to music have beneficial side effects?
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B24.086 1 Available 26201802897
Total holds: 0

Part I. The origins of music: Sandra E. Trehub, Musical predispositions in infancy : an update -- Carolyn Drake and Daisy Bertrand, The quest for universals in temporal processing in music -- Jenny R. Saffran, Mechanisms of musical memory in infancy -- Ian Cross, Music, cognition, culture, and evolution -- David Huron, Is music an evolutionary adaptation? -- Part II. The musical mind: Stephen McAdams and Daniel Matzkin, The roots of musical variation in perceptual similarity and invariance -- Carol L. Krumhansl and Petri Toiviainen, Tonal cognition -- Barbara Tillmann, Jamshed J. Bharucha, and Emmanuel Bigand, Learning and perceiving musical structures : further insights from artificial neural networks -- Part III. The neurons of music: Mark Jude Tramo, Peter A. Cariani, Bertrund Delgutte and Louis D. Braida, Neurobiology of harmony perception -- Catherine Liegeois-Chauvel, Kimberly Giraud, Jean-Michel Badier, Patrick Marquis, and Patrick Chauvel, Intracerebral evoked potentials in pitch perception reveal a functional asymmetry of human auditory cortex -- Timothy D. Griffiths, The neural processing of complex sounds -- Part IV. Musical brain substrates: John C.M. Brust, Music and the neurologist : a historical perspective -- Isabelle Peretz, Brain specialization for music : new evidence from congenital amusia -- Severine Samson and Nathalie Ehrle, Cerebral substrates for musical temporal processes -- Andrea R. Halpern, Cerebral substrates of musical imagery -- Robert J. Zatorre, Neural specializations for tonal processing -- Lawrence M. Parsons, Exploring the functional neuroanatomy of music performance, perception, and comprehension -- Mireille Besson and Daniele Schön, Comparison between language and music -- Mari Tervaniemi, Musical sound processing : EEG and MEG evidence -- L. J. Trainor and L.A. Schmidt, Processing emotions induced by music -- Aniruddh D. Patel, A new approach to the cognitive neruscience of melody -- Eckart O. Altenmüller, How many music centres are in the brain? -- Part V. Musical expertise/brain plasticity: Joseph P. Rauschecker, Functional organisation and plasticity of auditory cortex -- Gottfried Schlaug, The brain of musicians -- C. Pantev, A. Engelien,V. Candia, and T. Elbert, Representational cortex in musicians -- Alvaro Pascual-Leone, The brain that makes music and is changed by it --Part VI. Relation of music to other cognitive domains: Fred Lerdahl, The sounds of poetry viewed as music -- E. Glenn Schellenberg, Does exposure to music have beneficial side effects?

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