The musician as entrepreneur, 1700-1914 : managers, charlatans, and idealists / edited by William Weber
Utgivning: Bloomington : Indiana University Press, cop. 2004Beskrivning: 269 s. : illISBN:- 0-253-34456-5
- 338.4/778/09034 22
- ML3790 .M82 2004
- Ij:oa
- Ijb.45
- Ijb.47
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Magasin A | B24.921 | 1 | Available | 26201807601 |
Overview of the subject: William Weber, The musician as entrepreneur and opportunist, 1700-1914. Richard Leppert, The musician of the imagination -- Early musical entrepreneurs: Tanya Kevorkian, Changing times, changing music : 'New Church' music and musicians in Leipzig, 1699-1750. David Gramit, Selling the derious : the commodification of music and resistance to it in Germany, circa 1800 -- Concert management in the nineteenth century: William Weber, From the self-managing musician to the independent concert agent. Laure Schnapper, Bernard Ullman-Henri Herz : an example of financial and artistic partnership, 1846-1849. Dana Gooley, Franz Liszt : the virtuoso as strategist. Simon McVeigh, "An audience for high-class music" : concert promoters and entrepreneurs in late nineteenth-century London -- Women as entrepreneurs: Tia DeNora, Embodiment and opportunity : bodily capital, gender, and reputation in Beethoven's Vienna. Paula Gillett, Entrepreneurial women musicians in Britain : from the 1790s to the early 1900s. Jann Pasler, Countess Greffulhe as entrepreneur : negotiating class, gender, and nation