The musician as entrepreneur, 1700-1914 : managers, charlatans, and idealists / edited by William Weber

Medverkande: Utgivning: Bloomington : Indiana University Press, cop. 2004Beskrivning: 269 s. : illISBN:
  • 0-253-34456-5
Ämne: DDK-klassifikation:
  • 338.4/778/09034 22
LC-klassifikation:
  • ML3790 .M82 2004
SAB-klassifikation:
  • Ij:oa
  • Ijb.45
  • Ijb.47
Innehåll:
Overview of the subject: William Weber, The musician as entrepreneur and opportunist, 1700-1914. Richard Leppert, The musician of the imagination -- Early musical entrepreneurs: Tanya Kevorkian, Changing times, changing music : 'New Church' music and musicians in Leipzig, 1699-1750. David Gramit, Selling the derious : the commodification of music and resistance to it in Germany, circa 1800 -- Concert management in the nineteenth century: William Weber, From the self-managing musician to the independent concert agent. Laure Schnapper, Bernard Ullman-Henri Herz : an example of financial and artistic partnership, 1846-1849. Dana Gooley, Franz Liszt : the virtuoso as strategist. Simon McVeigh, "An audience for high-class music" : concert promoters and entrepreneurs in late nineteenth-century London -- Women as entrepreneurs: Tia DeNora, Embodiment and opportunity : bodily capital, gender, and reputation in Beethoven's Vienna. Paula Gillett, Entrepreneurial women musicians in Britain : from the 1790s to the early 1900s. Jann Pasler, Countess Greffulhe as entrepreneur : negotiating class, gender, and nation
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B24.921 1 Available 26201807601
Total holds: 0

Overview of the subject: William Weber, The musician as entrepreneur and opportunist, 1700-1914. Richard Leppert, The musician of the imagination -- Early musical entrepreneurs: Tanya Kevorkian, Changing times, changing music : 'New Church' music and musicians in Leipzig, 1699-1750. David Gramit, Selling the derious : the commodification of music and resistance to it in Germany, circa 1800 -- Concert management in the nineteenth century: William Weber, From the self-managing musician to the independent concert agent. Laure Schnapper, Bernard Ullman-Henri Herz : an example of financial and artistic partnership, 1846-1849. Dana Gooley, Franz Liszt : the virtuoso as strategist. Simon McVeigh, "An audience for high-class music" : concert promoters and entrepreneurs in late nineteenth-century London -- Women as entrepreneurs: Tia DeNora, Embodiment and opportunity : bodily capital, gender, and reputation in Beethoven's Vienna. Paula Gillett, Entrepreneurial women musicians in Britain : from the 1790s to the early 1900s. Jann Pasler, Countess Greffulhe as entrepreneur : negotiating class, gender, and nation

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