Interpreting musical gestures, topics, and tropes : Mozart, Beethoven, Schubert / Robert S. Hatten
Serie: Musical meaning and interpretationUtgivning: Bloomington : Indiana University Press, cop. 2004Beskrivning: 358 p. : musiknoterISBN:- 0-253-34459-X (cloth : alk. paper)
- 781/.1 22
- ML3845 .H35 2004
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Innehåll:
Sammanfattning: Continues to develop the semiotic theory of musical meaning presented in Hatten's first book, Musical meaning in Beethoven (1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies, focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert
Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity.
| Exemplartyp | Aktuellt bibliotek | Hyllsignatur | Ex.nummer | Status | Streckkod | |
|---|---|---|---|---|---|---|
| Bok | Musik- och teaterbiblioteket Magasin A | B24.559 | 1 | Tillgänglig | 26201804172 |
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Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity.
Continues to develop the semiotic theory of musical meaning presented in Hatten's first book, Musical meaning in Beethoven (1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies, focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert