Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz

Av: Medverkande: Utgivning: New York : Oxford University Press, 2004Beskrivning: 346 s. : musiknoterISBN:
  • 0-19-510383-1 (hardcover)
  • 978-0-19-536582-5 (pbk)
  • 0-19-536582-8 (pbk)
Ämne: DDK-klassifikation:
  • 782.10922 21
  • 782.1/092/2 21
LC-klassifikation:
  • ML1705 .A41 2004
SAB-klassifikation:
  • Ijz Bartók, Bela
  • Ijz Debussy, Claude
  • Ijra
  • Ijaa
Sammanfattning: Explores the means by which the operas of Debussy and Bartók transform the structures of the traditional harmonic system into a new musical language. This language is based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations
Bestånd
Exemplartyp Aktuellt bibliotek Hyllsignatur Ex.nummer Status Streckkod
Bok Musik- och teaterbiblioteket Magasin A B24.487 1 Tillgänglig 26201800010
Antal reservationer: 0

First issued as Oxford University Press paperback, 2008

Explores the means by which the operas of Debussy and Bartók transform the structures of the traditional harmonic system into a new musical language. This language is based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations

Dawson

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