Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz
Utgivning: New York : Oxford University Press, 2004Beskrivning: 346 s. : musiknoterISBN:- 0-19-510383-1 (hardcover)
- 978-0-19-536582-5 (pbk)
- 0-19-536582-8 (pbk)
- 782.10922 21
- 782.1/092/2 21
- ML1705 .A41 2004
- Ijz Bartók, Bela
- Ijz Debussy, Claude
- Ijra
- Ijaa
Item type | Current library | Call number | Copy number | Status | Barcode | |
---|---|---|---|---|---|---|
Book | Musik- och teaterbiblioteket Magasin A | B24.487 | 1 | Available | 26201800010 |
First issued as Oxford University Press paperback, 2008
Explores the means by which the operas of Debussy and Bartók transform the structures of the traditional harmonic system into a new musical language. This language is based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations
Dawson