Danzón : circum-Caribbean dialogues in music and dance / Alejandro L. Madrid and Robin D. Moore

Av: Medverkande: Serie: Currents in Latin American & Iberian musicUtgivning: Oxford ; New York : Oxford University Press, 2013Beskrivning: xv, 279 s. : ill., musiknoterISBN:
  • 978-0-19-996582-3
Ämne: DDK-klassifikation:
  • 781.64 23/swe
SAB-klassifikation:
  • Ijv-qchaa
Innehåll:
Danzón matters : mapping out the issues -- Danzón as a performance complex -- Race, morality, and the circulation of danzón, 1870-1940 -- The danzón and musical dialogues with early jazz -- Nostalgia, affect, and performativity in contemporary danzón scenes -- Cachondería, discipline, and danzón dancing -- Danzón musings beyond the dancehall
Sammanfattning: Initially branching out of the European contradance tradition the danzón first emerged as a distinct form of music and dance among black performers in 19th-century Cuba. By the early 20th-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. This book studies the emergence hemisphere-wide influence, and historical and contemporary significance of this phenomenon of music and dance
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B30.312 Available 26201838843
Total holds: 0

Innehåller bibliografi och index

Danzón matters : mapping out the issues -- Danzón as a performance complex -- Race, morality, and the circulation of danzón, 1870-1940 -- The danzón and musical dialogues with early jazz -- Nostalgia, affect, and performativity in contemporary danzón scenes -- Cachondería, discipline, and danzón dancing -- Danzón musings beyond the dancehall

Initially branching out of the European contradance tradition the danzón first emerged as a distinct form of music and dance among black performers in 19th-century Cuba. By the early 20th-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. This book studies the emergence hemisphere-wide influence, and historical and contemporary significance of this phenomenon of music and dance

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