Records ruin the landscape : John Cage, the sixties, and sound recording / David Grubbs.
Utgivning: Durham : Duke University Press, 2014Beskrivning: xxv, 220 pages : illustrations ; 23 cmInnehållstyp:- text
- unmediated
- volume
- 978-0-8223-5576-2 (cloth : alk. paper)
- 0-8223-5576-0 (cloth : alk. paper)
- 978-0-8223-5590-8 (pbk. : alk. paper)
- 0-8223-5590-6 (pbk. : alk. paper)
- 780.9/04 23
- ML410.C24 G78 2014
- Ijz Cage, John
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Elektronmusikstudion EMS | EMS : E1 | Available (Längre framtagningstid / Longer processing time) | 26201839636 |
Includes discography (pages 195-198), bibliographical references (pages 199--208), and index.
Henry Flynt on the air -- Landscape with Cage -- John Cage, recording artist -- The antiques trade: free improvisation and record culture -- Remove the records from Texas: online resources and impermanent archives.
"John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records ruin the landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation."