Introduction-- L.D.Nielsen & P.Ybarra PART I: INSTITUTIONAL STRATEGIES Irreal Entries-- L.Nielsen Nintendo Museum: Intercultural Pedagogy, Neoliberal Citizenship, and a Theatre without Actors-- M.Werry Bentin Archaeologies of Empire: Colonial Hollywood and the Neoliberal Academy-- S.Calderon Neoliberalism and the Global University-- E.B.Lim Branding the Revolution: Hair Redux-- D.Savran PART II: MODES OF TRANSMISSION I Feel For You-- P.Anderson Staging a Moving Map in Byron Au Yong and Aaron Jafferis' Stuck Elevator-- K.Shimakawa Fighting for a Future in a Free Trade World-- P.Ybarra Unchecked Popularity: Neoliberal Circulations of Black Dance-- T.Defrantz PART III: FORMAL ECONOMIES Model Dissent: LAedegreeu Quang Vu and the Melodramatic Performance of Renovation in Post-War Vietnam-- K.T.Ngyuen Representational Practices and Real Abstractionsin Early Eighteenth-Century London-- M.Kobialka The Gift of the New Orleans Second Line-- M.Olsen Wole Soyinka's The Beatification of Area Boy as Neoliberal Kaleidoscope-- C.Cole PART IV: SITES OF ARTICULATION Teatro Vision and the Limits of Chicano Politics in Neoliberal Space-- J.Rossini Repairing Teatro Oficina Perdiz-- N.Tenenblat Palimpsestic City: Nostalgia and Adaptation in Neoliberal Bangalore-- J.Menon Desiring the Stage: The Interplay of Mobility and Resistance-- D.Larasati The Future of Water: Environmental Theatre Experiences Urban Space-- M.Joseph Index.