Music theory, analysis and society : selected essays / Robert P. Morgan

Föredragen titel:
  • Samlade verk
Av: Serie: Ashgate contemporary thinkers on critical musicologyUtgivning: Farnham : Ashgate, cop. 2015Beskrivning: xx, 356 s. : ill, musiknoterISBN:
  • 978-1-4724-6254-1
Ämne: Genre/Form: DDK-klassifikation:
  • 781 23/swe
SAB-klassifikation:
  • Ijaa
  • Ijad
Ofullständigt innehåll:
Dissonant prolongation: theoretical and compositional precedents (1976) ; Schenker and the theoretical tradition: the concept of musical reduction (1978) ; Schenker and the twentieth century: a modernist perspective (2002) ; Copin's modular forms (2008) ; Circular form in the Tristan prelude (20009 ; Ives and Mahler: mutual responses at the end of an era (1978) ; Chasing the scent: the tonality in Liszt's Blume und Duft (1997) ; Two early Schoenberg songs: monotonality, multitonality and schwebende Tonalität (2010) ; "The things our father's loved": Charles Ives and the European tradition (1997) ; On the analysis of recent music (1997) ; Tradition, anxiety and the current musical scene (1988) ; Secret languages: the roots of musical modernism (1984) ; "A new musical reality": futurism, modernism and "the art of noises" (1994) ; Rethinking musical culture: canonic reformulations in a post-tonal age (1992)
Bestånd
Exemplartyp Aktuellt bibliotek Hyllsignatur Status Streckkod
Bok Musik- och teaterbiblioteket Magasin A B30.701 Tillgänglig 26201840394
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Innehåller bibliografiska referenser och index

Dissonant prolongation: theoretical and compositional precedents (1976) ; Schenker and the theoretical tradition: the concept of musical reduction (1978) ; Schenker and the twentieth century: a modernist perspective (2002) ; Copin's modular forms (2008) ; Circular form in the Tristan prelude (20009 ; Ives and Mahler: mutual responses at the end of an era (1978) ; Chasing the scent: the tonality in Liszt's Blume und Duft (1997) ; Two early Schoenberg songs: monotonality, multitonality and schwebende Tonalität (2010) ; "The things our father's loved": Charles Ives and the European tradition (1997) ; On the analysis of recent music (1997) ; Tradition, anxiety and the current musical scene (1988) ; Secret languages: the roots of musical modernism (1984) ; "A new musical reality": futurism, modernism and "the art of noises" (1994) ; Rethinking musical culture: canonic reformulations in a post-tonal age (1992)

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