Comprend des références bibliographiques (pages 255-268)

Culture, Chinese Studies, and STS. Introduction ; An Inductive Theoretical Journey. Technical Objects ; Biographical-Level Observation ; Art as Collective Action ; Truth, Falsity, Chinese, and Non-Chinese ; Science Studies and Cultural Difference. From Sinology to Chinese Studies ; The Present of Things ; To Sum Up ; Culture and Materiality. Waves ; Electronic Music Devices, SNS, and Computer Encodings ; Electronic Music Devices in Beijing. The Band and the Roland MC-505 Groovebox. Sanlitun ; China's Firsts ; The Roland MC-505 Groovebox ; The Past in the Present ; The Vinyl Records of Xiao Deng. The Dancer ; The Vinyl Records ; Xiao Deng and Phil ; A DJ with Good Records ; The FM7 Software and Xiao Deng's "TK Remix". Writing Techno Songs ; Inside Xiao Deng's Computer ; Xiao Deng and Peter Krischker ; The Blurring of Categories ; Lao Dong's Internet Connection. The Instructor ; Music Work Process ; Lao Dong and His Virtual Friends ; Living Artifacts ; Omnisequ, or The Path of Complexity. Max/MSP ; Omnisequ ; Circulation ; Modifiability ; Lao Li and the Inscriptible. Making Experimental Music in China ; Observing Lao Li ; The Flows' Perspective ; Inscriptibility and Modifiability ; Unmodifiable versus Inscriptible Objects ; Social Networking Sites and Computer Encodings in China, 2008-2012. Beta Testing the Framework: Sinology ; Happy Network ; Beta Testing the Framework: Science and Technology Studies ; Computer Encodings in China ; Waves and Forms ; Plasticity and the Synaptic Trace ; Memetics ; Circulations ; Baidu versus Google ; Conclusion Questions on OAI-PMH harvesting