Cybersonic arts : adventures in American new music / Gordon Mumma ; edited with commentary by Michelle Fillion ; foreword by Christian Wolff
Serie: Music in American lifeUtgivning: Urbana, Illinois : University of Illinois Press, [2015]Utgivningstid: ©2015Beskrivning: xxxiv, 339 s. : ill., musiknoter ; 23 cmInnehållstyp:- text
- unmediated
- volume
- 978-0-252-08101-9
- 0-252-08101-3
- 780.92 23/swe
- ML200.5 .M86 2015
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Elektronmusikstudion EMS | EMS : F1 Mumma | Available (Längre framtagningstid / Longer processing time) | 26201840495 |
"Selective list of Gordon Mumma's compositions" (pages 283-295)
Includes bibliographical references (pages 315-321) and index
Foreword / Christian Wolff -- Introduction / Michelle Fillion -- Preamble. Gordon Mumma: a short biography / Michelle Fillion -- Unmarked interchange : Ann Arbor and the ONCE years (1960-66). Editor's introduction ; Music's avant-garde: what's new? ; Manifestations: light and sound: Milton Cohen's Space Theatre ; An electronic music studio for the independent composer ; The ONCE Festival and how it happened ; The ONCE Group's Unmarked interchange and Night train -- Cybersonics and the sonic arts (1966-75). Editor's introduction ; Creative aspects of live-performance electronic music technology ; Alvin Lucier's Music for solo performer 1965 ; Two cybersonic works: Horn and Hornpipe ; Music in America 1970: points of view ; A brief introduction to the sound-modifier console and Sun(flower) burst ; What we did last summer: a commentary on ICES 1972 ; Two decades of live-electronic music, 1950-70 ; Witchcraft, cybersonics, and folkloric virtuosity -- In the Cunningham circle. Editor's introduction ; A day on the road with the Cunningham Dance Company ; From where the circus went ; Robert Rauschenberg in the creative fields of the Cunningham Dance Company ; With Tudor the organist ; David Tudor the composer along the path to Rainforest -- Not wanting to say anything about John (Cage). Editor's introduction ; Cage as performer ; John Cage, electronic technology, and live-electronic music ; Twenty-five minutes with John Cage -- Latin America. Editor's introduction ; Innovation in Latin American electro-acoustical music ; Briefly about Conlon Nancarrow's Studies for player piano ; Uruguayan diary: the Cuarto Curso Latinoamericano de Música Contemporánea, Cerro del Toro, Uruguay -- An American gallery. Editor's introduction ; Nelson mix for Gordon Mumma ; Gordon Mumma's Stovepipe for Richard Nelson ; Good times up on the farm ; Merce and Ludwig ; On the Ives Railroad ; A visit to Mount Olympus with David Tudor ; On George Cacioppo ; Earle's worlds ; Three Sonic Arts Union sketches: Speaking Robert Ashley; Crossings with David Behrman; Becoming Alvin Lucier ; Working with Pauline Oliveros -- Mumma on Mumma. Editor's introduction ; Notes on my creative procedures -- Appendix. Selective list of Gordon Mumma's musical compositions