The late work of Sam Shepard / Shannon Blake Skelton
Utgivning: London ; New York : Bloomsbury Methuen Drama, 2016Beskrivning: x , 256 sISBN:- 978-1-4742-3472-6
- 812.54 23/swe
- Geq.02
Innehåll:
Introduction -- 1. "How Many Lives . . . Within This One?": The Performances of Sam Shepard -- 2. "What's Beyond Authentic?": Authenticity and Artistry in Don't Come Knocking and Kicking a Dead Horse -- 3. "One of Us Has Forgotten": Memory and Trauma in Simpatico, The Late Henry Moss, and When the World was Green -- 4. "I Miss the Cold War So Much": Interrogating Masculine and Conservative Narratives in States of Shock and The God of Hell -- 5. "Surrounded by My Primitive Captors": Hybridity and Hegemony in Silent Tongue and Eyes for Consuela -- 6. "Where's All the Men?": Men, Women, and Homosociality in the Late Style of Sam Shepard
| Exemplartyp | Aktuellt bibliotek | Hyllsignatur | Status | Streckkod | |
|---|---|---|---|---|---|
| Bok | Musik- och teaterbiblioteket Magasin A | B30.781 | Tillgänglig | 26201840883 |
Antal reservationer: 0
Innehåller index samt bibliografiska referenser (s.[239]-252)
Introduction -- 1. "How Many Lives . . . Within This One?": The Performances of Sam Shepard -- 2. "What's Beyond Authentic?": Authenticity and Artistry in Don't Come Knocking and Kicking a Dead Horse -- 3. "One of Us Has Forgotten": Memory and Trauma in Simpatico, The Late Henry Moss, and When the World was Green -- 4. "I Miss the Cold War So Much": Interrogating Masculine and Conservative Narratives in States of Shock and The God of Hell -- 5. "Surrounded by My Primitive Captors": Hybridity and Hegemony in Silent Tongue and Eyes for Consuela -- 6. "Where's All the Men?": Men, Women, and Homosociality in the Late Style of Sam Shepard