Beat drama : playwrights and performances of the 'howl' generation / Edited by Deborah R. Geis.

Medverkande: Språk: Engelska Serie: Methuen drama engage | Methuen drama engageUtgivning: London : Bloomsbury Publishing Plc. 2016Beskrivning: xi, 357 s. illISBN:
  • 9781472567871
Ämne: DDK-klassifikation:
  • 812.5409 23/swe
SAB-klassifikation:
  • Geq.02
Innehåll:
Part 1: The 'canonical' beats -- 1. Meditation and immediacy: the I and you of Jack Kerouac's theatre of voice; Tim Hunt -- 2. Howl and the performance of communion; John Whalen-Bridge -- 3. Gregory Corso's dada-surrealist-absurd beat plays; Ronna C. Johnson -- 4. Unfair arguments with existence: Lawrence Ferlinghetti's one-acts and the modes of beat drama; Deborah R. Geis -- 5. William S. Burroughs and the shooting of Joan Vollmern Burroughs as performance; William Nesbit -- 6. The stop: AnneWaldman's early drama; Lisa Chinn -- Part 2: The 'afro-beats' -- 7. Amiri Baraka's revolutionary theatre: black power politics, avant-garde poetics; Jimmy Fazzino -- 8. Sounding across the city: Ted Joans's bird lives! as jazz performance; Amor Kohli -- 9. Radical ritual performance in the early prophetic poetry of Bob Kaufman; Thomas Pynn -- 10. Adrienne Kennedy: a kindred spirit to the beats; Nita N. Kumar -- Part 3: Poets theatre and the beats -- 11. Bunny Lang and the Cambridge poets' theatre in the 1950s; Heidi R. Bean -- 12. Diane di Prima as playwright: the early years 1959-1964; Nancy M. Grace -- 13. Homely persons, rude speeches: camp personalities, cold war sensibilities and dystopian impulses in Frank O'Hara's; Loves Labor, an Eclogue, Jason Lagapa -- 14. Outlaw tongues: the stimuli for Michael McClure's the band; Kurt Hemmer -- 15. Poetry takes centre stage: John Wiener's still life at the New York poets theatre; Erik Mortenson -- Part 4: Early off-off Broadway theatre -- 16. Evenings of bohemian cruelty: the living theatre in the 1950s: Tim Good -- 17. Eas[ing] the possible past the expected: a restaging of Hettie Jones; Tatum Petrich -- 18. Cowboy in the rock garden: beat influences in Sam Shepard's early plays; Deborah R. Geis -- 19. Rochelle Owens: off beat, off-off- Broadway; Amy Friedman -- 20. Rosalyn Drexler: savvy, savage, sassy polymath; Dorothy Chansky -- Part 5: Film and beat performance -- 21. Kerouac's the subterraneans: when film adaptation becomes cultural betrayal; Sara Villa -- 22. 'This was my Hollywood career': Jack Kerouac's on the road and 1950s Hollywood; Matt Theado -- 23. The many movies of Kerouac's big sur; Terence Diggory -- 24. Angel tendencies and gratuitous acts: kill your darlings and the legacy of Lucien Carr; Fiona Paton
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A C14.715 Available 26201819360
Total holds: 0

Innehåller bibliografi och index

Part 1: The 'canonical' beats -- 1. Meditation and immediacy: the I and you of Jack Kerouac's theatre of voice; Tim Hunt -- 2. Howl and the performance of communion; John Whalen-Bridge -- 3. Gregory Corso's dada-surrealist-absurd beat plays; Ronna C. Johnson -- 4. Unfair arguments with existence: Lawrence Ferlinghetti's one-acts and the modes of beat drama; Deborah R. Geis -- 5. William S. Burroughs and the shooting of Joan Vollmern Burroughs as performance; William Nesbit -- 6. The stop: AnneWaldman's early drama; Lisa Chinn -- Part 2: The 'afro-beats' -- 7. Amiri Baraka's revolutionary theatre: black power politics, avant-garde poetics; Jimmy Fazzino -- 8. Sounding across the city: Ted Joans's bird lives! as jazz performance; Amor Kohli -- 9. Radical ritual performance in the early prophetic poetry of Bob Kaufman; Thomas Pynn -- 10. Adrienne Kennedy: a kindred spirit to the beats; Nita N. Kumar -- Part 3: Poets theatre and the beats -- 11. Bunny Lang and the Cambridge poets' theatre in the 1950s; Heidi R. Bean -- 12. Diane di Prima as playwright: the early years 1959-1964; Nancy M. Grace -- 13. Homely persons, rude speeches: camp personalities, cold war sensibilities and dystopian impulses in Frank O'Hara's; Loves Labor, an Eclogue, Jason Lagapa -- 14. Outlaw tongues: the stimuli for Michael McClure's the band; Kurt Hemmer -- 15. Poetry takes centre stage: John Wiener's still life at the New York poets theatre; Erik Mortenson -- Part 4: Early off-off Broadway theatre -- 16. Evenings of bohemian cruelty: the living theatre in the 1950s: Tim Good -- 17. Eas[ing] the possible past the expected: a restaging of Hettie Jones; Tatum Petrich -- 18. Cowboy in the rock garden: beat influences in Sam Shepard's early plays; Deborah R. Geis -- 19. Rochelle Owens: off beat, off-off- Broadway; Amy Friedman -- 20. Rosalyn Drexler: savvy, savage, sassy polymath; Dorothy Chansky -- Part 5: Film and beat performance -- 21. Kerouac's the subterraneans: when film adaptation becomes cultural betrayal; Sara Villa -- 22. 'This was my Hollywood career': Jack Kerouac's on the road and 1950s Hollywood; Matt Theado -- 23. The many movies of Kerouac's big sur; Terence Diggory -- 24. Angel tendencies and gratuitous acts: kill your darlings and the legacy of Lucien Carr; Fiona Paton

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