Patterns of Intuition : Musical Creativity in the Light of Algorithmic Composition / edited by Gerhard Nierhaus.

Av: Språk: Engelska Utgivning: Dordrecht : Springer Netherlands : Imprint: Springer, 2015Beskrivning: viii, 421 s. illISBN:
  • 9789402400922
Ämne: Fler format: Digital edition:: Patterns of IntuitionDDK-klassifikation:
  • 006.3 23
LC-klassifikation:
  • Q334-342
  • TJ210.2-211.495
SAB-klassifikation:
  • Pud
Onlineresurser:
Innehåll:
Introduction / Gerhard Nierhaus -- Elisabeth Harnik/Improvisational Re-assemblies / Elisabeth Harnik, Hanns Holger Rutz, Gerhard Nierhaus -- Clemens Nachtmann/Forbidding Harmonies / Clemens Nachtmann, Daniel Mayer, Gerhard Nierhaus -- Eva Reiter/Wire Tapping the Machine / Eva Reiter, Hanns Holger Rutz, Gerhard Nierhaus -- Clemens Gadenstätter/Hidden Grammars / Clemens Gadenstätter, Daniel Mayer, Thomas Eder, Gerhard Nierhaus -- Dimitri Papageorgiou/Interlocking and Scaling / Dimitri Papageorgiou, Daniel Mayer, Gerhard Nierhaus -- Katharina Klement/Transformation and Morphing / Katharina Klement, Daniel Mayer, Gerhard Nierhaus -- Orestis Toufektsis/Chords in a Black Box / Orestis Toufektsis, Hanns Holger Rutz, Gerhard Nierhaus -- Alexander Stankovski/Mirrors Within Mirrors / Alexander Stankovski, Daniel Mayer, Gerhard Nierhaus -- Matthias Sköld/A Topography of Personal Preferences / Matthias Sköld, Hanns Holger Rutz, Gerhard Nierhaus -- Djuro Zivkovic/Difference Tones / Djuro Zivkovic, Daniel Mayer, Gerhard Nierhaus -- Bart Vanhecke/Straightening the Tower of Pisa / Bart Vanhecke, Daniel Mayer, Gerhard Nierhaus -- Peter Lackner/Tropical Investigations / Peter Lackner, Harald Fripertinger, Gerhard Nierhaus -- Artistic Research in/as Composition : Some Case Notes / Darla Crispin -- In Re: Experimental Education / William Brooks -- Artistic Research and the Creative Process : The Joys and Perils of Self-analysis / Nicolas Donin -- Musicking Beyond Algorithms / Sandeep Bhagwati -- Boulez’s Creative Analysis: An Arcane Compositional Strategy in the Light of Mathematical Music Theory / Guerino Mazzola -- Algorithmic Music Composition / David Cope
Sammanfattning: " The present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented through a dialogic and cyclic process of modelling and evaluating musical materials. The aesthetic premises and compositional approaches configure a rich spectrum of diverse positions, which is reflected also in the kinds of approaches and methods used. These approaches and methods include the generation and evaluation of chord sequences using genetic algorithms, the application of morphing strategies to research harmonic transformations, an automatic classification of personal preferences via machine learning, and an application of mathematical music theory to the analysis and resynthesis of musical material. The second part of the book features contributions by Sandeep Bhagwati, William Brooks, David Cope, Darla Crispin, Nicolas Donin, and Guerino Mazzola. These authors variously consider the project from different perspectives, offer independent approaches, or provide more general reflections from their respective research fields" - Baksidestext
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : A4.2 Available (Längre framtagningstid / Longer processing time) 26201842484
Total holds: 0

Introduction / Gerhard Nierhaus -- Elisabeth Harnik/Improvisational Re-assemblies / Elisabeth Harnik, Hanns Holger Rutz, Gerhard Nierhaus -- Clemens Nachtmann/Forbidding Harmonies / Clemens Nachtmann, Daniel Mayer, Gerhard Nierhaus -- Eva Reiter/Wire Tapping the Machine / Eva Reiter, Hanns Holger Rutz, Gerhard Nierhaus -- Clemens Gadenstätter/Hidden Grammars / Clemens Gadenstätter, Daniel Mayer, Thomas Eder, Gerhard Nierhaus -- Dimitri Papageorgiou/Interlocking and Scaling / Dimitri Papageorgiou, Daniel Mayer, Gerhard Nierhaus -- Katharina Klement/Transformation and Morphing / Katharina Klement, Daniel Mayer, Gerhard Nierhaus -- Orestis Toufektsis/Chords in a Black Box / Orestis Toufektsis, Hanns Holger Rutz, Gerhard Nierhaus -- Alexander Stankovski/Mirrors Within Mirrors / Alexander Stankovski, Daniel Mayer, Gerhard Nierhaus -- Matthias Sköld/A Topography of Personal Preferences / Matthias Sköld, Hanns Holger Rutz, Gerhard Nierhaus -- Djuro Zivkovic/Difference Tones / Djuro Zivkovic, Daniel Mayer, Gerhard Nierhaus -- Bart Vanhecke/Straightening the Tower of Pisa / Bart Vanhecke, Daniel Mayer, Gerhard Nierhaus -- Peter Lackner/Tropical Investigations / Peter Lackner, Harald Fripertinger, Gerhard Nierhaus -- Artistic Research in/as Composition : Some Case Notes / Darla Crispin -- In Re: Experimental Education / William Brooks -- Artistic Research and the Creative Process : The Joys and Perils of Self-analysis / Nicolas Donin -- Musicking Beyond Algorithms / Sandeep Bhagwati -- Boulez’s Creative Analysis: An Arcane Compositional Strategy in the Light of Mathematical Music Theory / Guerino Mazzola -- Algorithmic Music Composition / David Cope

" The present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented through a dialogic and cyclic process of modelling and evaluating musical materials. The aesthetic premises and compositional approaches configure a rich spectrum of diverse positions, which is reflected also in the kinds of approaches and methods used. These approaches and methods include the generation and evaluation of chord sequences using genetic algorithms, the application of morphing strategies to research harmonic transformations, an automatic classification of personal preferences via machine learning, and an application of mathematical music theory to the analysis and resynthesis of musical material. The second part of the book features contributions by Sandeep Bhagwati, William Brooks, David Cope, Darla Crispin, Nicolas Donin, and Guerino Mazzola. These authors variously consider the project from different perspectives, offer independent approaches, or provide more general reflections from their respective research fields" - Baksidestext

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